A Quote by Rob Riggle

When I approach villains, unless it's a drama, I'm a comedian, so I approach most things from a comedic point of view. — © Rob Riggle
When I approach villains, unless it's a drama, I'm a comedian, so I approach most things from a comedic point of view.
I'm not a comedian. I don't do stand-up. I don't tell jokes. I'm a comedic actor, and approach my work that way. The comedy comes through the character.
I approach video games the same way I approach theatre, filmmaking, poetry, or painting. I wish more people would take that point of view. It would help the industry to move on.
I really strongly feel that when you approach a drama, you have to approach it with energy, honesty, sincerity, and absolute commitment, or don't do it.
Comics write to their point of view. If you're an exceedingly irreverent comedian, you've got to see where that point of view fits or produces the most funny.
I don't view our approach as negative. I view our approach that when you have a candidate in a Republican primary make statements that would make his position to the left of Nancy Pelosi and Barack Obama on immigration... we need to bring that out to the people.
What hermeneutics teaches is that progress comes from being exposed to different points of views because there's no point of view that is right for all situations and all times. And even if it's superior to the others, you can enrich it by drawing on others or thinking: "Why is that wrong and how do I improve my approach? How do I come up with a better approach?" So that's essential for innovation just like it is in technology.
Remember, this is a binary choice. It's going to be the approach that Donald Trump takes or the approach that Hillary Clinton takes, not some other approach. And the Clinton approach is just a completely unacceptable one, it's an unlawful one.
I think there is a scientific approach to it and there is a political approach to it and an economical approach to it. All of this combined, we might find a solution.
I always try to approach a film from the point of view of the director.
We approach nonfiction at a much different level than we approach fiction or poetry or drama: that there's almost no room for metaphor. We expect the "I" in any nonfiction text to be an autobiographical "I" when there is a history in the essay of the "I" being a persona.
I think the most important thing I do as head writer of 'Kenan & Kel' and 'All That' is make sure any jokes we do, any situations we approach are from a kid's point of view.
I don't approach my writing or my work from an academic or analytical point of view. I do it for myself.
My approach is not a scientific approach. For that, we have greater minds than mine. My approach is: I am in the possession of a text, it has survived so many centuries, and it is my task, my pleasure, to try to decipher it and find all the things that have been said about these few words by generations and generations of commentators. That is what I'm doing. I don't innovate anything. I'm just repeating.
I think an important approach for designers to take is to have a very - not singular but focused point of view.
The most creative approach is often the simple approach.
When I create a collection, I approach it with a cinematic point of view-I am not designing clothes, I'm creating a world.
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