A Quote by Rob Riggle
When you're leading Marines, you don't screw around, so the comedy is limited in uniform. And when you're a comedian, you can't be heavy handed and come across with tales of gore or material that people won't understand, so I try to keep them separate.
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The problem with a lot of comedy clubs is not that they are a comedy club; it's just the cheesy way they're presenting themselves. That's why a lot of people have a problem with them. If you're a relatively unknown comedian, you can play at a comedy club, you might play to hundreds of people every night. But if you try to make a concert event out of it, and try to play a rock club or something, where you might play to 10 people or no people. And the flipside of that is, that's also a great thing, to play to people who are your fans. Some people are too hard on the comedy clubs.
You know, we're very private, and I think that we really separate and try to keep our privacy to ourselves. There's things that people assume a lot of times, and we understand that people are interested, but we really try to keep our family life private as much as we can.
It's usually very, very hard for me to pick up a script that was written and try and see myself as a part of that, especially when you're used to performing all your own material. It's OK with drama, I like being handed great material but I think with comedy it's far more personal and probably a lot harder for me to find a fit.
I'm astonished at how readily a great many people I know, young people, have accepted a reduced economic prospect and limited freedoms in any substantial sense, and basically traded them for being able to screw around online.
There are some actresses that can't do comedy; it's too heavy-handed.
I met the most extraordinary people all over the Pacific, but especially the people in Vanuatu who, in a material sense, are the poorest people I've ever come across. They own nothing, but in a well-being sense, they are easily the wealthiest people that I've come across.
We are living in the machine age. For the first time in history the comedian has been compelled to supply himself with jokes and comedy material to compete with the machine. Whether he knows it or not, the comedian is on a treadmill to oblivion.
If you come to my house there are no bodybuilding pictures or anything in my house. I try to keep that separate, just because it is all consuming and I don't want it around me when I'm at home.
Instead of drifting along like a leaf in a river, understand who you are and how you come across to people and what kind of an impact you have on the people around you and the community around you and the world, so that when you go out, you can feel you have made a positive difference.
Outside of 'Justified,' I do like to keep it to comedy. When I'm not there, I try to seek out stuff that sort of more along the lighter fare. I have more fun on those sets than I do on drama sets just because when it's heavy, it's heavy, and it's hard to get away from it.
Sometimes storms come through with wind and blow the features off or sometimes they come in heavy and grow the features to the point where we have to shovel them off again. Leading up to the window for our event we try to get everything lined up and safe for the riders.
Fairy tales have always been about getting through the worst of everything, the darkest and the deepest and the bloodiest of events. They are about surviving, and what you look like when you emerge from the trial. The reason we keep telling fairy tales over and over, that we need to keep telling them, is that the trials change. So the stories change too, and the heroines and villains and magical objects, to keep them true. Fairy tales are the closets where the world keeps its skeletons.
You know, the same percentage of people are gay and lesbian as are left-handed. Let's try to figure that out. How can it be that a left-handed person can get married to another left-handed person. Left-handed people can do anything they want. . . . I say, give homosexuals the same rights we give left-handed people.
Through the Australians, and the Japanese, too, I suppose, the Americans get their message across, but not in a heavy-handed way.
I don't take trouble at all to conform a screenplay to my iconography. I don't say, "We can't do that - the audience wouldn't accept it." I try to take the limitations of what is required to play a leading character and then screw with them.
Everyone wants to understand art. Why don't we try to understand the song of a bird? Why do we love the night, the flowers, everything around us, without trying to understand them? But in the case of a painting, people think they have to understand.
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