A Quote by Rob Sheffield
Hardly anyone liked R.E.M. who didn't like them way too much, so part of being an R.E.M. fan meant getting wildly overinvested and then feeling vaguely disappointed by whatever they did next.
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Whatever I'm feeling, whatever I'm going through, whatever mood I'm in... If I'm feeling like dancing or clubbing, then it will be reflected in the music. If I'm feeling dark and vulnerable, then it will reflect in the music, too.
And so we go.' It's my way of saying that I'm prepared for the next adventure. The next chapter. The next challenge. Whatever comes my way, I'm ready for it. Because that truly is the way it was meant to be.
When they were introduced, he made a witticism, hoping to be liked. She laughed extremely hard, hoping to be liked. Then each drove home alone, staring straight ahead, with the very same twist to their faces. The man who'd introduced them didn't much like either of them, though he acted as if he did, anxious as he was to preserve good relations at all times. One never knew, after all, now did one now did one now did one.
Drinking and drugging make it so your reality flies away from you. Your body and your mind are not present. I loved that feeling as a kid. For me, the strongest way to have that feeling was love and sex. Not only did I enjoy it - that feeling of being transported - but because I was so boy-identified, first as a tomboy and then as a girl who liked to sleep with boys.
But if it couldn't be love and it didn't feel like lust, what was it? Like? Did he like her? Of course, he did, but that word didn't capture his feelings, either. It was a little too... vague and soft around the edges. People liked ice cream. People liked to watch television. It meant nothing, and it didn't come close to explaining why, for the first time, he felt the urge to tell someone the truth.
You loved people and you came to depend on their being there. but people died or changed or went away and it hurt too much. The only way to avoid that poin was not to love anyone, and not to let anyone get too close or too important. The secret of not being hurt like this again, I decided, was never depending on anyone, never needing, never loving.It is the last dream of children, to be forever untouched.
I started acting when I was five years old. I found it randomly, through listening to my brother study monologues. I auditorally started memorizing them for no reason, and started repeating them to anyone who would listen to me. And then, I begged my mom to let me do whatever that meant because I couldn't put into words exactly what that meant. It just meant me happy. And then, when I was 11 years old, I realized what I was doing and I looked to my mom and said, "Can I make this something I can do for the rest of my life?" She was like, "Yeah, sure, if you want to." And I was like, "Okay, great! I think I might want to do this forever."
Never in my heart did I want to quit, but I did, at the end of 2012, start to wonder when I was getting fractures from running hardly at all; I started thinking, 'Am I asking too much of my body? Is it not going to do this for me anymore?'
I keep vaguely wondering what Macs are like, but the ones I've seen spend too much time being friendly.
That's still the greatest high, that feeling of being in control of 2,000 people. It's me and them, and I like the odds. It's not even so much the funny. It's getting them quiet. In the quiet moments in '700 Sundays,' I just really love that they're getting moved.
The problem was, I enjoyed Question Period too much and loved the challenge it provided. Far from being a dreaded burden, it had become an exciting part of my life; opposition members attacked me, I fought back, I won or lost or held them to draw, and the next day we did it all over again.
United Features had given me a development contract, which meant I was to work exclusively with them and rather than completing everything on my own and turning it in to them and having it rejected or accepted, I was working much more directly with the syndicate, turning in smaller batches much more frequently, and getting comments on them. The idea was that they would help me develop the strip and then, assuming that they liked it, it would flow into a normal contract for syndication.
What the event will be like, being part of the Olympics and being in London, is too much to think about. You've no control over those things, so in a way, it's wasted energy to think of them.
You shouldn't be afraid of failure - when something fails, you think, 'What did I learn from that experience? I can do better next time.' Then kill that project and move on to the next. Don't get disappointed.
You know, whenever you're shooting a film there's different obstacles and challenges, whether it be from the makeup artist getting fired that you liked or whatever - the one that did the makeup the way you wanted. There's always stuff that changed, like the DP leaving the set, and there's a new guy in there, and the way he does lighting isn't the same as the last guy.
As an author, I don't really think too much about being a celebrity. It's not like being a movie star or a TV star. It's not as if people recognize me when I walk down the street. That hardly ever happens, and it's just as well. But it is great when people know my books, when I walk through an airport and see them in the bookstore, or when I see someone reading a book on a plane or on a train, and it's something I've written. That's a wonderful feeling.
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