A Quote by Robert Bloch

So I had this problem -- work or starve. So I thought I'd combine the two and decided to become a writer. — © Robert Bloch
So I had this problem -- work or starve. So I thought I'd combine the two and decided to become a writer.
It was only after two years' work that it occurred to me that I was a writer. I had no particular expectation that the novel would ever be published, because it was sort of a mess. It was only when I found myself writing things I didn't realise I knew that I said, 'I'm a writer now.' The novel had become an incentive to deeper thinking. That's really what writing is—an intense form of thought.
I was not encouraged to follow the career of a writer because my parents thought that I was going to starve to death. They thought nobody can make a living from being a writer in Brazil. They were not wrong.
I had two passions growing up - one was music, one was technology. I tried to play in a band for a while, but I was never talented enough to make it. And I started companies. One day came along and I decided to combine the two - and there was Spotify.
I've had five grandparents who have had Alzheimer's. I've been involved in raising money for two decades, so I thought, how could I combine my work with this commitment to helping dementia? One of the myths is that it's an older person's disease. We're seeing early onset dementia among people at 45. It's the disease of everybody.
I decided early that I would be a writer when I grew up. That, I thought, was the profession that went with the kind of woman I wanted to become: one who is free to do whatever she chooses.
I always thought it better to allow myself to doubt before I decided, than to expose myself to the misery, after I had decided, of doubting whether I had decided rightly and justly.
The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do so--concomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.
I remember wanting to write a book with someone, the someone being Kate [DiCamillo], and we decided to write about two friends. We had no idea how to begin this project - neither of us had ever collaborated with another writer - and I'm pretty sure that we began by giving our two friends a sock, just to see what they'd do with it. And it went from there.
I decided the things I enjoyed were quizzes and television, so I decided to find a way to combine them.
As one woman told me, "When I decided to come in to work happy, everybody around me became happy." This woman had decided to quit a job she hated, and on the last day of her two weeks' notice, she woke up happy. At the end of the day, she noticed that everybody around her was happy, too- so she didn't quit after all. She decided to come to work happy instead. Two years later, she's still on the job, radiating happiness and love.
I had to work up the courage to even imagine myself running for Congress. But I eventually decided that our country had a moral problem in only letting white men - even the right-minded ones - have a seat at the table.
You know how it always is, every new idea, it takes a generation or two until it becomes obvious that there's no real problem. It has not yet become obvious to me that there's no real problem. I cannot define the real problem, therefore I suspect there's no real problem, but I'm not sure there's no real problem.
My thought process was: We had decided to become a B2C company and build the UTV brand and we couldn't be that as a TV producer or ad film-maker or doing in-flight programmes.
I'm a very lucky guy. I had so many people help me over the years that I never had many problems. If I had a problem, I could sit down with someone and they would explain the problem to me, and the problem become like a baseball game.
I'm a very lucky guy. I had so many people help me over the years that I never had many problems. If I had a problem, I could sit down with someone and they would explain the problem to me, and the problem become like a baseball game
When I work there are two distinct phases: the phase of pushing the work along, getting something to happen, where all the input comes from me, and phase two, where things start to combine in a way that wasn't expected or predicted by what I supplied. Once phase two begins everything is okay, because then the work starts to dictate its own terms. It starts to get an identity which demands certain future moves. But during the first phase you often find that you come to a full stop.
This site uses cookies to ensure you get the best experience. More info...
Got it!