A Quote by Robert Breault
An aphorism is a single sentence that totally exhausts its subject.
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An aphorism that does not score is just one more sentence.
A single sentence will suffice for modern man. He fornicated and read the papers. After that vigorous definition, the subject will be, if I may say so, exhausted.
Curiosity is, in great and generous minds, the first passion and the last; and perhaps always predominates in proportion to the strength of the contemplative faculties. He who easily comprehends all that is before him, and soon exhausts any single subject, is always eager for new inquiries; and in proportion as the intellectual eye takes in a wider prospect, it must be gratified with variety, by more rapid flights and bolder excursions.
An aphorism is not an aphorism unless you know what it means.
APHORISM, n. Predigested wisdom. The flabby wine-skin of his brain Yields to some pathologic strain, And voids from its unstored abysm The driblet of an aphorism. "The Mad Philosopher," 1697
The artist looks for a subject. You know, a lot of new poets don't seem to have a subject. I don't totally understand that.
Writing is linear and sequential; Sentence B must follow Sentence A, and Sentence C must follow Sentence B, and eventually you get to Sentence Z. The hard part of writing isn't the writing; it's the thinking. You can solve most of your writing problems if you stop after every sentence and ask: What does the reader need to know next?
He who thinks he can have flesh and bones without being subject to any external influence, or any accidents of matter, unconsciously wishes to reconcile two opposites, viz., to be at the same time subject and not subject to change. If man were never subject to change there could be no generation; there would be one single being, but no individuals forming a species.
I got a note from my father, who said that Success is wonderful, if you don't inhale. That was his own aphorism, and I think it's the very best thing he could have said to me or anyone else on the subject.
All of us encounter, at least once in our life, some individual who utters words that make us think forever. There are men whose phrases are oracles; who condense in one sentence the secrets of life; who blurt out an aphorism that forms a character or illustrates an existence.
There is no single formula for good sentence. An invisible integument that gives the sentence wholeness and musicality, sometimes. But other times, the formula is almost purely one of context. And yet other times, of sheer precision of meaning. This is a good sentence: "Just as he was settling into the warm mud of alcoholic gloom, Shrike caught his arm." "Warm mud of alcoholic gloom" is exact and right and accurate.
Experience, in short, is not a combination of mind and world, subject and object, method and subject matter, but is a single continuous interaction of a great diversity (literally countless in number) of energies.
I revise constantly, as I go along and then again after I've finished a first draft. Few of my novels contain a single sentence that closely resembles the sentence I first set down. I just find that I have to keep zapping and zapping the English language until it starts to behave in some way that vaguely matches my intentions.
While driving to work, I'll choose to think about a particular subject rather than just have random thought streams landing on one subject or another. For example, I might think about the structure of an opinion. Or I might think about the first sentence of an opinion, refining it.
I have a hard time revising sentences, because I spend an inordinate amount of time on each sentence, and the sentence before it, and the sentence after it.
The most important sentence in any article is the first one. If it doesn't induce the reader to proceed to the second sentence, your article is dead. And if the second sentence doesn't induce him to continue to the third sentence, it's equally dead.
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