A Quote by Robert Vaughn

Compared to today's salaries, our cut was minuscule but it was very good for the time. — © Robert Vaughn
Compared to today's salaries, our cut was minuscule but it was very good for the time.
The whole consideration of - ... am I being compared as such and such's grandson and son - that was minuscule compared to the problems I was having just working... I didn't have time to start worrying about who I was in the eyes of the public.
Today the salaries of stars are astronomical in comparison with the 20's, but the high cost of today's living and taxes takes a huge bite out of these salaries.
There's not gonna be any tuition cuts. There aren't gonna be any drastic reductions in salaries. And in fact when the subject of cuts comes up, the first thing that the opponents of cuts say, "You can't cut this faculty. You can't cut the salaries. You wouldn't save enough money, you can't go there."
There's no appreciation for the giants [of jazz]; there's never been a major film on Duke Ellington , never a major film on Louis Armstrong. What they accomplished, we could never accomplish today...What's happening now is lightweight compared to what happened before. If Louis Armstrong was alive today, he'd be a superstar. If Art Tatum was alive today, my god, all the piano players would get on their knees. So that's what's missing today; we've been cut off from our heritage.
Yes, I introduced the congressional pay cut bill, cutting our salaries by five percent. And I think we have to lead by example.
Suppose two-thirds of the members of the national House of Representatives were dumped into the Washington garbage incinerator tomorrow, what would we lose to offset our gain of their salaries and the salaries of their parasites?
Sometimes things can take a very long time and still not be very good. It took us all of evolutionary history just to get where we are today, for instance, and mostly where we are today is on the couch.
I have commissioners who had very good jobs, making good salaries, and gave up something to work for the state.
Here and there, in some older houses, old faded daguerreotypes still hang on the walls... They seem to us to be very simple... compared with the artistic and skillful portraits made in later days... Here was a photograph that at one time had been the last word, a very modern portrait... Today it is just a part of cultural history. The small yellowed surface has acquired depth, an admonishing perspective. We hold in our hand a symbol of the structure and ideology of an epoch.
Today, now, it is time to move forward, a time to look for what is good in others, what is good in our country. It is time to see what we have in common, what we have to share as human beings and citizens.
If you look at the size of the art world in terms of the money that is being transacted compared to other parts of the 'consciousness industry,' it is minuscule. But if you look at what happens in this small sector, how it rubs off on the rest of it, it is astonishing.
It's flattering to be compared to Kohli. He is very consistent, and his mindset is very good. He gives his 100 per cent every time he walks out to bat.
In a comic strip, you can suggest motion and time, but it's very crude compared to what an animator can do. I have a real awe for good animation.
Some actors occasionally waive their outlandish salaries and take a cut of the gross instead.
Now, modern economies have a very effective mechanism for deciding if salaries are really too high: it's called the free market. That's how most people's salaries are set, after all, including those of major-league baseball players and European soccer players.
We're not good at noticing slow, steady changes in our environments, our senses are not very acute compared to those of many animals, and we're pretty awful at abstract thought, much less acting on it.
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