A Quote by Robert Wyatt
If you've never felt that you quite got a hold of it, you just feel that before you die, you've got to try and get it right once. And hope that the experience you have makes up for the some of the diminishing energy.
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I think the energy I give off is quite non-confrontational. That's something you learn from karate. Once you try to be a tough guy, you've got to pay up. You've got to prove yourself. And that's exhausting.
Mystery: Everything felt better before you got there than when you actually got there. When you actually got there, you didn't quite have the energy to be there.
If it starts to drag on set, or if you feel like it's not a fun experience, people get down, the energy gets down. You've got to keep the energy up.
Growing up, my uncle used to always have dogs, and we always had a dog growing up. I couldn't remember a time when I never had a dog. It was part of the family. So once I actually got old enough, I got a dog in college, then I felt he needed a friend, so I got another dog. They just started adding up from there.
I think you've still got to try to be good, day-to-day. You see a granny, you hold the door open for her. You just try to do the right thing. I don't know if that makes you a saint or the greatest guy in the world, but trying is a start.
The night before games, I try to get some shots up. Early on the game day, I come early in the morning to try to get some shots up. I just try to do the same things: go through the scouting, watch some clips before the game, just try to get my body ready.
You've got to be able to hold a lot of contradictory ideas in your mind without going nuts. I feel like to do my job right, when I walk out on stage I've got to feel like it's the most important thing in the world. Also I've got to feel like, well, it's only rock and roll. Somehow you've got to believe both of those things.
I got to thinking that poems were like people. Some people you got right off the bat. Some people you just didn't get--and never would get.
Some friends and I, we went right up there behind the studio and we got on a train, we could tell it was going to go to Roseville. We got off it and got on another train. And we got to Roseville, and it takes hours to get through that yard. It's really big. So we ended up just coming back here. It's like fishing or hunting. You can't always come back with something.
Of-course we did, but we didn't reply because we knew once this leaks the others will scatter, so in the few days we moved quickly before the press got hold of it. The press did get hold of it a few days later, we nabbed, we were able to get 15, the others got away.
Before stand-up, I didn't even have an agent. Once I started doing stand-up - boom. I got an agent. In fact, I got three agents. I got a lawyer. Now I get taken seriously.
I quite enjoyed doing 'To All the Boys I've Loved Before' because I felt like I got the actual co-ed experience. Because I went to an all-girls school, and that was fun - I love just putting on a uniform and living my life - but I also like to flirt with guys. I didn't get to do that in high school.
You've got to put a lot of hard work in and it's not just in the swimming pool. You've got to look after yourself, you've got to sleep well and you've got to recover between the sessions, whether that's resting or getting the right food inside you. I always try to get the best out of myself and strive for perfection.
If you're lucky enough to be involved in a film that's about something very real and that you hope will continue to hold up in 20 years' time it just gives you more energy and makes it feel all the more worthwhile.
Once you get into the book, you've got to constantly find your - the rhythm of your prose. And it ends up being quite a musical experience either way.
Some artists imagine they've got a hold on this apparatus, which in fact has got a hold of them. As a result, they end up supporting a cultural prison that is out of their control.
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