A Quote by Robert Goulet

When you sing a song the way I sing it, you have to use your whole body. It's almost like working out. — © Robert Goulet
When you sing a song the way I sing it, you have to use your whole body. It's almost like working out.
When you're insecure about your technique, you close yourself off. Your shoulders tighten. The first thing, you should open your body and sing. Be happy. Sing real vowels, real Italian vowels. When you're learning a good way to sing technically, you find it's very easy to sing well.
I sing my heart out to the wide open spaces I sing my heart out to the infinite sea I sing my vision to the sky-high mountains I sing my song to the free.
Find out what you really like if you can. Find out what is really important to you. Then sing your song. You will have something to sing about and your whole heart will be in the singing.
When I got to sit in Big Bird's nest with Big Bird and sing the song, 'Sing. Sing a song. Sing out loud,' that was my crowning achievement.
Now one thing I think is really lame, is if you're an artist and you go to a karaoke bar and sing your own song. I like to get up there and sing stuff that I would never sing on stage anywhere else. Like Neil Diamond.
Live well. Sing out, sing loud, and sing often. And God bless the child that's got a song.
Whatever be the depth of woe Along the path that I must go, I'll sing my song— My song of joy for all the love That's lavished on us from above, And count no loss of treasure-trove When things go wrong. I'll sing the sunlight, and the bright Soft smiling stars that gem the night; For gifts of good That God hath spread along my way, The lilt of birds in tuneful play, The harvests full and flowers gay, The whole day long I'll sing my song Of gratitude!
Make it simple to last your whole life long. Don't worry that it's not enough for anyone else to hear. Just sing, sing a song
somebody/ anybody sing a black girl's song bring her out to know herself to know you but sing her rhythms carin/ struggle/ hard times sing her song of life she's been dead so long closed in silence so long she doesn't know the sound of her own voice her infinite beauty she's half-notes scattered without rhythm/ no tune sing her sighs sing the song of her possibilities sing a righteous gospel let her be born let her be born & handled warmly.
I like seeing someone that can sing jazz and then flip over and sing a pop song and then sing a rock song.
If you perform on a stage or you sing a song, it's like you sing your song, and then the words go into the air, and then they go into somebody's body through their ears, so it's kind of like penetrating somebody. It's kind of like having sex with somebody - but, obviously, from a great distance.
What I'm trying to do is just sing what comes to my body in the context of the song. And if you go by the emotion of the song, it's almost like stepping into a city. Cities have certain customs and rules and laws you can break, and that's what I was doing.
Because, in opera, I have to sing for people that are very far from me, instead of, when I sing a song, I try to imagine to sing like in an ear of a child.
Writing a great song is not a simple task, but I feel like when everything comes together and you sing it in a certain way that no-one else can sing it, when it's written in a certain way that's perfect for the way that you're performing it, that those are the things that make a song great.
When I sing full-on I use my whole body. I open my throat and let it fly out.
I sing of a woman with ink on her hands and pictures hidden beneath her hair. I sing of a dog with skin like velvet pushed the wrong way.I sing of the shape a fallen body makes in the dirt beneath a tree, and I sing of an ordinary man who is wanted to know things no human being could tell him.This is the true beginning.
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