A Quote by Robert Englund

Kids today don't watch a black and white movie. — © Robert Englund
Kids today don't watch a black and white movie.
I did 'Are We There Yet?' because I wanted to do a movie for my fans' kids. Black kids don't really see movies on this budget for them, starring them. And there's so many white kids that love that movie.
I did Are We There Yet? because I wanted to do a movie for my fans' kids. Black kids don't really see movies on this budget for them, starring them. And there's so many white kids that love that movie.
I have black friends, but I don't just hang out with black kids. I might pull up with Indian kids, white kids, black kids, whatever.
I am astounded at my age with a 20-year-old daughter to discover that kids of her generation don't want to watch black and white movies. I understand that they gave up on silent films, but black and white? So, now movies have to be taught in academia because people don't know how to watch them, they don't know how to appreciate them.
I realize that I'm black, but I like to be viewed as a person, and that's everybody's wish... I try to be a role model for black kids, white kids, yellow kids, green kids. This is what I felt was good about my personality.
Do mainstream crowds want to watch a movie about good things happening in black neighborhoods? Do black audiences want to see a little girl doing something in a white world?
There are people in the world who won't watch a movie that's in black and white. There's got to be a special place in hell for them.
The Stooges used to be ubiquitous, back in the '60s and '70s. They were on TV all the time, but they're not on so much anymore. Kids aren't getting the chance to watch them, not to mention the fact that kids don't really necessarily relate to black-and-white stuff.
'The Stooges' used to be ubiquitous, back in the '60s and '70s. They were on TV all the time, but they're not on so much anymore. Kids aren't getting the chance to watch them, not to mention the fact that kids don't really necessarily relate to black-and-white stuff.
I love everything black, because black is cool. When something crosses over, people are like, "Oh, this is a crossover." First of all, there is no urban anymore. Pop culture is black. White kids are dressing like black kids. It's all crossed the lines now. The way I understand it is, everything black is cool. When it crosses over to white, that means it's going from cool to uncool. That's what crossover is.
I hated, when I was a kid, being told that 'Black people don't do that.' And the white kids at school didn't accept me because I was black, and the black kids in my neighborhood didn't accept me because they thought I thought I was white.
The perceived wisdom is that people do not go in large numbers to black-and-white movies anymore - which is a great shame, but I'd love to make a black-and-white movie one day.
I know black kids who don't even know any other black kids except their cousins. And that's enough. You wouldn't look at these kids and say that they are Uncle Toms or self-hating or fleeing or trying to be white, given the culture in which they live, which is very natural to them as kids.
I have two little kids and I enjoy watching movies with them, and I can't watch every movie with them. Sometimes it's because it's obviously not appropriate to watch The Bourne Identity with your kids, but a lot of times it's because it's torture to watch the movies that they want to watch, as a parent.
I've been identified with pink throughout my career, but I'm not as crazy about it as I've led people to believe. My favorite colors are actually neutrals — black and white — but then who thinks of a movie queen in black and white? Everything has to be in living color.
A hoodie is worn by everybody: kids, white men, white women, black men. But it clings to the black body as a sign of criminality like nothing else.
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