A Quote by Robert Crumb
I felt so painfully isolated that I vowed I would get revenge on the world by becoming a famous cartoonist.
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I went through a phase where people would introduce me at parties as a cartoonist, and everybody felt sorry for me. 'Oh, Matt's a cartoonist.' Then people further feeling sorry for me would ask me to draw Garfield. Because I'm a cartoonist, draw Snoopy or Garfield or something.
When you start to think of the arts as not this thing that is going to get you somewhere in terms of becoming an artist or becoming famous or whatever it is that people do, but rather a way of making being in the world not just bearable, but fascinating, then it starts to get interesting again.
I probably like being isolated more than many people do, but I'm lucky to have the friendship of many fine people, and they keep me from becoming very isolated. The world of my mind is certainly a populated and warm place, too. It's difficult for me to become too isolated with such resources.
I don't think I would've ever dared dreaming of becoming a professional cartoonist. I wouldn't set myself up for that disappointment.
Sometimes I felt lonely because I pushed people away for so long that I honestly didn't have many close connections left. I was physically isolated and disconnected from the world. Sometimes I felt lonely in a crowded room. This kind of loneliness pierced my soul and ached to the core. I not only felt disconnected from the world, but I also felt like no one ever loved me. Intellectually, I knew that people did, but I still felt that way.
I think that women of my generation have had a real need to form networks and friendships because it's been, as they say, a man's world, and women have felt excluded and isolated to a large degree. When women get together in numbers their strength compounds and is seen and felt by themselves and others.
THE thousand injuries of Fortunato I had borne as I best could, but when he ventured upon insult I vowed revenge. You, who so well know the nature of my soul, will not suppose, however, that gave utterance to a threat. At length I would be avenged; this was a point definitely, settled --but the very definitiveness with which it was resolved precluded the idea of risk. I must not only punish but punish with impunity. A wrong is unredressed when retribution overtakes its redresser. It is equally unredressed when the avenger fails to make himself felt as such to him who has done the wrong.
. . . So I vowed to keep myself alive, but only if I would never use me again for just me - each one of us is born of two, and we really belong to each other. I vowed to do my own thinking, instead of trying to accommodate everyone else's opinion, credo's and theories. I vowed to apply my inventory of experiences to the solving of problems that affect everyone aboard planet Earth.
I named my first album 'The Sound of Revenge' because I wanted to get revenge on everyone who doubted me. But when I finally got revenge, I didn't enjoy it.
Simply coming to the perpetrator and delivering the message is Nozick's definition of revenge. And in that sense, Adi is exacting revenge. When people ask, "Does Adi want revenge?" - they mean violent revenge. But in Nozick's formulation, it is revenge. That is the essence of revenge.
I think there was a point in the past when I felt that my options as an artist were either to make race a nonissue and deny its impact on life and just say, "Don't think of me as an Asian cartoonist. Just think of me as a cartoonist."
Israel needs to change direction, and this is not just political. We're becoming more closed-in, more isolated, more scared. Those who talk tough are making the State of Israel very weak, very isolated - very Jewish, in the Diaspora-sense, in that 'everyone is against us.' We need to get out of this.
... I vowed that I would always respect the right of an individual to kill himself. Whether suicide was a moral or immoral act I no longer felt sure, but of the dignity of its intransigence I was convinced.
There is no place for nostalgia in a progressive world. The new school not only ignores nostalgia, but condemns it. The world of yesterday is becoming an isolated world of remembrances and echoes so forbidden that, to decorate the present with it, you must often do so with a sense of humor or belong to a select group.
If I'd been born into a hearing family and went to a public school, I would have probably felt much more isolated, and being deaf would have become my identity.
Expectations are the most perilous form of dream, and when dreams do realise themselves it is in the waking world: the difference is subtly but often painfully felt.
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