A Quote by Robert McKee

When talented people write badly, it's generally for one of two reasons: Either they're blinded by an idea they feel compelled to prove of they're driven by an emotion they must express. When talented people write well, it is generally for this reason: They're moved by a desire to touch the audience.
I think Lady Gaga is talented. Madonna is talented, and the flair that Michael Jackson had. He was talented! Whatever it is that they do, they must be doing something right. They do have an audience out there, so I respect that.
We're [writers] all afraid of writing badly, and there are psychological reasons, like the bad interior of ourselves is somehow being revealed, but we all fear that, and you can't write well if you're not willing to write badly. That's why you have to make writing a habit, so it feels normal and not strange.
What do prisoners do? Write, of course; even if they have to use blood as ink, as the Marquis de Sade did. The reasons they write, the exquisitely frustrating restrictions of their autonomy and the fact that no one listens to their cries, are all the reasons that mentally ill people, and even many normal people write. We write to escape our prisons.
I have one great political idea... That idea is an old one. It is widely and generally assented to; nevertheless, it is very generally trampled upon and disregarded. The best expression of it, I have found in the Bible. It is in substance, "Righteousness exalteth a nation - sin is a reproach to any people." This constitutes my politics, the negative and positive of my politics, and the whole of my politics... I feel it my duty to do all in my power to infuse this idea into the public mind, that it may speedily be recognized and practiced upon by our people.
If people would write exactly what I wanted to read I wouldn't feel so compelled to write myself.
If people would write exactly what I wanted to read I wouldn't feel so compelled to write myself
The reason I play music is to touch people - for selfish reasons, as well. It feels good to make someone else feel something, whether it's a kiss, a painting, good idea or it's a song.
I could never write about the sort of people John Cheever or John Updike or even Margaret Atwood write about. I don't mean I couldn't write as well as they do, which of course I couldn't; they're great writers, and I'm no writer at all. But I couldn't even write badly about normal, neurotic people. I don't know that world from the inside. That's just not my orientation.
I generally write the songs accidentally. They generally come out of nowhere.
It's nice to go and be a guest on a television sitcom. It pays well; it's easy because generally it's a supporting role, so you go, you do two or three things, you're in touch with people there. They're widely popular, so they're seen by many people.
The nice thing about live performance is that I've never, ever been let down. Partly I'm lucky that my audience self-selects itself. Generally they know what they're in for, and generally we all just like each other and get along. But I always find one or two or a dozen really interesting people in the audience who make the show different. And that's one of the things I really like about performing.
(W)hat I write when I force myself is generally just as good as what I write when I'm feeling inspired. It's mainly a matter of forcing yourself to write.
I write because I feel driven to write. I write from a sense of inner necessity. I don't write for anything other than that.
There are many people who get beat up, who suffer, who are victimized, and then they sit down to write and they write crap. How many of these graphic novels over the years are from really talented people? Most of them actually, if you look at them, are self-pitying confessionals about "poor me".
I feel like it's really important to support people who are coming up and really talented, who need someone to show people that they're cool and talented and doing something different. And I can help do that. It's cool.
I'm not one of the people who has a kind of scholarly hat and writes in a certain way for an academic audience and then puts on a public intellectual hat and writes a different way for a different kind of readership. I generally write the way I write, no matter what and it seems to have worked for me.
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