A Quote by Robert Patrick

I've been doing this 17 years but I can tell you I have more websites now than I have ever had devoted to me or my past career or my character. When I got this show, I think I had two fans out there that had created websites on my behalf.
We had the great depression, we had two world wars, we had the flu epidemic. We had oil shock. We had all these terrible things happen. But something about the American system unleashed more and of a potential to human beings over that hundred years so that we had a seven for one improvement in - there's never been any - I mean, you have centuries where if you've got a 1 percent improvement, then it's something. So we've got a great system. And we've got more productive capacity now than we ever have.
During the last 17 years... I have been working at the restoration of a once exhausted hillside. Its scars are now healed over, though still visible, and this year it has provided abundant pasture, more than in any year since we have owned it. But to make it as good as it is now has taken 17 years. If I had been a millionaire or if my family had been starving, it would still have taken 17 years. It can be better than it is now, but that will take longer. For it to live fully in its own responsibility, as it did before bad use ran it down, may take hundreds of years.
With 'Taxi Driver,' I had this eureka moment. I realized that acting could be much more than what I had been doing. I had to build a character that wasn't me.
My reason for leaving 'Beautiful', because I had such an amazing time on that show, was by the time I left, I had been doing the show for almost two years. I was a little burnt out.
Mia and I had been together for more than two years, and yes, it was a high school romance, but it was still the kind of romance where I thought we were trying to find a way to make it forever, the kind that, had we met five years later and had she not been some cello prodigy and had I not been in a band on the rise - or had our lives not been ripped apart by all this -I was pretty sure it would've been.
The game shapes you. I played for 20 years at all levels, apart from the Premier League. I had a disaster at Bristol City, where in two years I learnt more about myself, the industry, fans, how you get treated, than I ever learnt in my career.
I don't want people kissing my butt. If I had a bad show and I know it, don't tell me I had a good show. I hate that. I guess because I'm 17, people think I don't see stuff like that.
I have more compassion than if I had led a life where everything worked out exactly as I had planned or if I had never been wounded or if I had never been betrayed or I had never been harmed. I don't think I would be as good a person.
And also, as a consumer now, it's weird that when I used to go to a book signing I would leave with a stack of pamphlets people had made to show off their work, and now I just leave with business cards where people have the URL to their websites.
I think what is probably hard for people to imagine is how wrapped up the 17 years' work on Harry Potter is with what was going on in my life at the time. I was mourning the loss of this world that I had written for so long and loved so much. I was also mourning the retreat it had been from - from ordinary life, which it has been. And it forced me to look back at 17 years of my life and remember things.
I've had lots of fans who come out and say, 'Listen, I can relate to Cyborg because I lost a limb,' or 'I have this cochlear implant.' It's one of those things when you actually start seeing it, when you actually start hearing about it, that made Cyborg more relevant to me than I think he ever had been up until that point.
I had begun my professional career when I was 9 years old at the Cleveland Play House, and it was a very specific, real theater sort of like, you know, in England and the Berliner Ensemble - very devoted people. And I thought the theater was the greatest place I had ever been, and that's what I wanted to do.
There are loads of websites devoted to me.
There was kind of a no-nonsense parenting style that my parents had that was true of the time. Everything now... there are books, and there are websites, and there are blogs, and you're reading, and there's research. We're such an interconnected world now, and half the stuff they did was pretty terrible, but we somehow turned out fine.
I'm actually in a funny place now where I'm more secure than I've ever been. My career is more stable than it's ever been and that's nice, but it's put this thought in my mind where I'm like, "I have more to lose now." I still have to remind myself that I can't be quiet and back away from the things that have got me here, which is kind of doing it my way and not necessarily caring what the consequences are. A lot of that comes back to music.
I have had fans make me the big picture collages of the photo books; I have had fans send me birthday cakes... sing to me on my voicemail. I have had fans flash me. I have had older fans give me their bras and underwear onstage.
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