A Quote by Robert Pattinson
I think so much of a director's job is just to convince you that what you're doing is worthwhile. "Yes, this does mean something, we're not just messing around." Even though at the end of the day it's a film. But at the time it's something else. I don't feel like I'm making a film, I'm confronting things in myself. I don't know what it is. So if someone is enthusiastic enough to convince you that it's important it's kind of magical.
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It's got to be a challenge but at the same time you have to feel as though you can play them - it's really dangerous to want to be a part of something just because you think it's going to be great. I've been sent plenty of scripts where I've known that it's going to be a great film and a successful one, but I just couldn't convince myself that I was the right person for the part. So, I think you have to be careful with that.
If I just know in my gut that a film is going to work, I'll fight to the death over it, and I convince myself. When a movie is purely a money job, the film doesn't have the same sort of intensity, and the audience almost senses it, at least that's the way I perceive it. So, yeah, the idea is to do something that you truly, truly believe in.
I think doing something creative is the most important thing to me, and I think it's probably just good for the soul for anyone, whatever it is. You don't have to be a film director - you can do gardening or something - but I think everyone needs to create something.
I don't ever like to feel myself in the position to demand of an actor that they trust I'm going to do something worthwhile. I feel a responsibility to articulate what it is I'm going to do. Whether that's showing them a full script or sitting down with them and describing my ideas in detail. It's a very healthy burden on me as a film director to be able to articulate what I want to do, to inspire actors, rather than just saying, take it on trust I'll be able to do something worthwhile.
I grew up in New York and I've always lived here, so I look at myself as a regular person. When somebody recognizes me from the film - and it can be a wide range of people, which shows the power of film - I feel like they're talking about someone else we both know. I just find it hard to believe that anyone would stop me to share how much they loved something that I was a part of.
I think if you're going to abuse someone, you really have to convince them of two things. First, you have to normalise what you're doing, convince them that it's not that bad. And the second thing is to convince them that they deserve it in some way.
I've always looked at people like Carine Roitfeld, Donatella Versace, DVF...people who when you walk on a set you feel like they still have so much excitement for what they're doing every day and they just have so much youth even though they've been doing it for so long. Every day just working to keep a young spirit - because even when you're young that's hard to do, because you get so caught up in things. I just think it's so important to make an effort every day to have a young spirit. Then when you get older, you always kind of keep that.
Don't convince yourself you're over, don't convince yourself you're done, just because the things around you seem heavy, doesn't mean you can't get off this ground.
I realized, "Gee, you're making the same film over and over here." I just kept making them for my own amusement, but also with this thought in my head that I could collect enough songs to make an album out of it. I am attracted to non-dramatic moments in life. The idea of a coffee break is not something you'd think of as being an important part of your day, so these shorts were like little free zones in which we could just play around.
It's not work, it is more of a passion. It is so much fun and it is really makes you feel great at the end of the day. You feel like you are really after doing something good and you are after accomplishing something. Acting is one of these things that I can't really describe - it's just like, why do you love your mum and dad? You know, you just do.
I look up and go, 'I'm living in the world I visualized a long time ago.' From making movies, to the Film Society, to just being in a film world. It's a life that I wanted to inhabit. I think everyone has the opportunity to do that in this world - it's just, are you gonna work for it, and how much does it mean to you?
It's not the end of the world if I can't get a film job, or if a movie doesn't turn out well - even though I don't like it when that happens. There are other things I enjoy doing, and I involve myself in them.
Sometimes you wake up with mini panic attacks where you feel like 'Oh my God! I don't have a film right now! Should I just do something that comes my way because I don't have another film?' But I feel at the end of the day, your gut takes over.
I have to say, doing theater, that's what you're trained to do. Doing film, when I first started doing it, felt like something else entirely. It felt like the difference between, I don't know, waiting tables and painting a great work of art. It's night and day. I didn't feel like it was even acting.
I feel like songwriting changed from something that I liked doing to something that, I feel, is a very important outlet for me to digest all the things around me. Once I put thoughts into a song, I can let it go, it doesn't bug me anymore you know what I mean? It's kind of a catharsis.
God puts you where God needs you. You are where you are supposed to be. The job you are doing may not be any easier on account of this, indeed it may be harder, even more urgent, but now you are centered, focused, clear. So this is where I am supposed to be. I always thought I was supposed to be somewhere else, doing something else, being someone else. But I realize now that I was mistaken. This does not mean that I can't or will not be doing something else. Just right now, I am where God wants me.
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