A Quote by Robert Pattinson
I don't really know how accepted I am. Nothing ever matters to me apart from the people with negative opinions. That's literally it. That always drives me on to the next thing. It's funny, you just focus on them and then the next movie. That's the only thing you're thinking about when it comes out.
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I'm always looking to the next thing. There are always hurdles, whether it's the White House dinner or hosting charity events or that night's show: Until they're over, I worry, then I move right on to the next thing. It's hard for me to enjoy the moment. I'm just thinking about not failing.
I try to just be open to what the next experience is and how it makes me feel, just reading a project, or trying to get involved with a project, or thinking about a project, and what particular emotional flavor that brings. To me, it's never really about planning the next thing, or the career arc. It's about investigating how I feel, from project to project, and finding things that I haven't explored and what that would be like.
Me and my family are straight. I am blessed. I am alive, man, and I am healthy, and that is the only thing that matters. Me and my family, everybody else, it really doesn't matter because why do you care about somebody talking negative about you if they don't know you?
When I'm in the process of making a movie I'm not thinking about the finished result, and whether people have to see it once or more than once, and what the reaction to it will be. I just make it, and then I live with the consequences, some of which may not be as pleasant as I'd like! I know one thing, however. Many viewers may come out of the theater not satisfied, but they won't be able to forget the movie. I know they'll be talking about it during their next dinner. I want them to be a little restless about my movies, and keep trying to find something in them.
I don't want people thinking of me sexually. I don't want people to be like, 'She's hot-looking,' you know? I want them to listen to me for what I am saying. And I think the best way to do that is to sniff my armpits, and like, sit and burp every now and then. It just completely throws people off. I had a couple of offers to do some hot scenes in the shower with some guy and to make it real hot and sexy. The next thing you know, I'd be the next J.Lo or something. But that's easy. I want it the hard way.
At one point in time in my career, it was like, 'Oh, he never finishes nobody.' Then, the next thing you know, I'm breaking peoples' arms, making them tap out, and knocking them out. Then, the next thing you know, it's, 'Oh, I don't like his personality.' It's like, 'Okay, well, if you don't like who I am, I can't help you there, buddy.'
In the course of my movies, the financing and the releasing were always the tough part. Because I loved the creative, I loved the writing, I loved the making of it. Because I guess, I never had the giant blockbuster, I never got that sort of ease for the next one. So the next one was always, "how am I going to do this?" And that thing was sort of always the thing that made me a little chickenshit to go into the next one. The writing of it was great and the making of it was great, but how am I going to release this thing and am I going to find a studio?
A lot of the time, when I'm choreographing, I'm not thinking about what movement look best next to the next movement - I'm actually thinking about what song and what sound sounds right next to the next thing. So kind of choreographing as if I'm always making a mix tape, so to speak.
We're kinda always writing, so it's like we're always thinking about what's next, so that'd be a yes. We're always constantly wanting to get onto the next thing or the new thing.
The thing is, most of these courts in San Bernardino know who I am and they've researched me. In fact, a couple of judges have asked me how my back's doing, when my next launch is, so they know who I am. Some of the bailiffs wave hi to me because they follow me on Facebook and see my launch. People know who I am.
The thing that really sticks - and when you talk to entrepreneurs, they say the same - is just thinking about the next day, the next week.
'The Machinist' changed me. I learned that I really enjoy, literally, not saying a damned word for days at a time, except for what was in the scene. Whole days of... nothing. Just... standing still. I know a lot of people found it bizarre, because they'd be standing right next to me thinking, 'Why aren't we talking? What's going on?'
What really drives me mad about art is that, in America, the only thing you can do is to take it apart.
In many ways, I went through a lot of my adult life thinking about, "What's next? What's next? What's next?," and always having my eye on tomorrow as opposed to what's happening at this moment. That experience forces you to really focus on the moment.
I have decided to keep a record of my inmost real-self thoughts. Perhaps it will help me to find out what I really am like: horrid, I know: selfish, conceited, and material-minded. For instance, lately whenever I've tried to concentrate on anything serious or beautiful, I've started thinking about the Spencers' dance next week. I am ashamed of my pettiness. I'm going to try to do better this year--develop my character more and not always be thinking about enjoying myself. I've always been so happy, I dread disappointment and unhappiness, but they would be good for me. But I don't want them.
I'm the kind of person who likes to focus on one thing at a time. I'll focus on my skiing and then when I get to the bottom of my run and the cameras are on me, I'll focus on what I need to say, and then I'll focus that night on recovering and getting ready for the next day.
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