A Quote by Robert Plant

There's a similarity between European and North African folk musics. — © Robert Plant
There's a similarity between European and North African folk musics.
COIL would very much like to see the creation of a newsgroup for minimal musics. We enjoy a wide spectrum of such musics, from La Monte Young, Alvin Lucier, Arvo Part, Nurse With Wound's Solilique For Lilith,The Dream Syndicate (orig.concept not the newer group who plundered the name) to Synus, Earth and so on.and on and on. Some new so called ambient musics fall between genres and so between newsgroups: some of our own music has certainly been deeply inspired by and informed by such musics,from Partch to Subotnic.
I would say there's a lot of similarity between folk and punk. It's written for the common man.
I live with one foot in the sand and one in the snow. There's European egocentricity, and the African opposite. I normally say that my African experience has made me a better European.
Every February, we celebrate the heritage and contributions of African Americans in North Carolina and around the country. North Carolina holds an important place in African American history going back generations.
The Sage embraces similarity of understanding and pays no regard to similarity of form. The world in general is attracted by similarity of form, but remains indifferent to similarity of understanding.
The national media which I consider to be very racist against European Americans and I think they have caused the incitement of African Americans against European Americans.I also think that they have also facilitated European Americans being angry at African Americans.
Country music is the combination of African and European folk songs coming together and doing a little waltz right here in the American south. They came together at some cotillion, and somebody snuck a black person into the room, and he danced with a white lady, and music was born.
I think there's a difference between the type of folk music that people put into the box of "folk music" and then there's the kind of folk music that I aspire to and am in awe of, and that is the kind of folk music where it's very limited tools - in most cases a guitar, in a self-taught style that is idiosyncratic and particular to that musician.
The relationship between France and its 'foreign' players - blacks and North African Arabs - has always been troubled, particularly with Algerians.
The Chinese, the African, and the European - they are all there. So the division of the Caribbean experience into being emphatically only African is absurd.
Writing in African languages became a topic of discussion in conferences, in schools, in classrooms; the issue is always being raised - so it's no longer "in the closet," as it were. It's part of the discussion going on about the future of African literature. The same questions are there in Native American languages, they're there in native Canadian languages, they're there is some marginalized European languages, like say, Irish. So what I thought was just an African problem or issue is actually a global phenomenon about relationships of power between languages and cultures.
So in Jamaica it is the aim of everybody to talk English, act English and look English. And that last specification is where the greatest difficulties arise. It is not so difficult to put a coat of European culture over African culture, but it is next to impossible to lay a European face over an African face in the same generation.
I have a habit of comparing the phraseology of communiques . . . noting a certain similarity of words, a certain similarity of optimism . . . and a certain similarity in the lack of practical results during the ensuring years.
There's always something in most world folk musics that always seems connected; whether it's a bagpipe or a tambura, there's always some sort of drone instrument, and there's always percussion.
Every book in the 'Dreams' cycle dramatizes a particular epoch in the ongoing cultural collision between North America's native peoples and its European colonizers.
All people of African descent, whether they live in North or South America, the Caribbean, or in any part of the world are Africans and belong to the African nation.
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