A Quote by Robert Rauschenberg
I had been working purely abstractly for so long, it was important for me to see whether I was working abstractly because I couldn't work any other way, or whether I was doing it out of choice.
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With any actor, rather than tips, I think when you enjoy working with somebody and you enjoy what they do, I think your reaction is partly to be doing what they're doing, so you're learning all the time, whether it be sub-consciously or whether it be just through the person you enjoy working with.
I started doing 'figures', then, one day, all of a sudden, I started doing abstraction. And then I started doing both. But it was never really a conscious decision. It was simply a question of desire. In fact, I really prefer making figurative work, but the figure is difficult. So to work around the difficulty I take a break and paint abstractly. Which I really like, by the way, because it allows me to make beautiful paintings.
I like working with great talent, in every capacity. I have a rule of thumb, in any creative endeavor - whether I'm doing music and playing in a band, or working with producers, or directing - where I generally like to work with people who are smarter than me or better than me.
I give 110% while I am working. I know I do, because I have been doing this since I was nine. This is a way of life for me. So whether it be successful or not is not in my hands. I still do my job, the best I can.
I've been working, working, working, and you know, sometimes you look back at your work and you see that it just isn't any good.
I generally enjoy the rehearsal process because that's where you can share your ideas, get your thoughts and feelings out and see whether or not they're going to land, whether or not people are going to agree with them, particularly the director. So you can sort out in that process any elements that need to be sorted out before you're on the set, and of course that saves time and it also makes everyone more comfortable working together.
On some level acting is the art of pretend and you have to have a highly cultivated sense of imagination. You have to be able to see things that aren't there no matter what aspect of acting, whether it's green screen, whether it's on stage, whether it's anything else, whether you're working on the radio.
On some level, acting is the art of pretend, and you have to have a highly cultivated sense of imagination. You have to be able to see things that aren't there, no matter what aspect of acting, whether it's green screen, whether it's on stage, whether it's anything else, whether you're working on the radio.
So much of what we do addresses the issues that are associated with climate change, whether it's working to reduce emissions, whether it's working to nail down our renewables, whether it's ensuring great efficiency in accessing all of our energy sources.
The notion of "humanity" as a form of transcendence derives, I think, from the conviction that intellectuality possesses an absolute power, from the demand that our best behavior depends on our ability to think abstractly, in terms of a universal rule, about something called humanity, that we need to understand humanity abstractly so that we can act responsibly towards those who represent it.
I didn't see an abstract painting until I was 18, when I went to Vincent Price's house and saw Richard Niebencorn, Wolff, Jackson Pollack. He had an amazing collection. I didn't know people painted abstractly, I thought I was just doing something wholeheartedly.
I was raised in a country [South Africa] with a lot of political turmoil. I was part of a culture and a generation that suppressed people and lived under apartheid regimes. I don't know how you can come out of that and not have an awareness for the world. I think that if my life had turned out any other way and I was working in a bank, I would still feel this way about it, because there's a connection to humanity that to me is really important.
For me, because I've been working out since I graduated college, I have to mix it up. But it's not just working out for health's sake; it's also a whole mindset for me. Yoga is really important for that.
Mickalene [Thomas] is an artist that I have admired for a long time. So much of her work inspires me - I spend time looking at her work when I'm writing. I feel like we're working toward the same themes, and I see our work in conversation, whether we know it or not.
I try to keep it really real on my social media, whether it's me training or working out, whether it's me practicing or failing at something.
I'm always going to judge somebody on their work ethic, and whether or not they made me feel something, or whether or not I felt they did a good job. To me, it's important to try to block anything personal out and look at the performance, in any field.
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