A Quote by Robert Trujillo

I didn't write 'Enter Sandman.' — © Robert Trujillo
I didn't write 'Enter Sandman.'
Everybody who has ever read Sandman knows exactly what the Sandman looks like, which is more than anybody who has ever read The Catcher in the Rye can say about Holden Caufield.
Whenever I write for television, I plan the story on whiteboard wallpaper in my office, using a system created by the American writer Dan Harmon. It's remarkably simple: a character wants something; they enter a new world and adapt to it; they get what they want, re-enter the old world and change.
Not write what you know, but know what you write. If you write about a world before, after, or other than this one, enter that world completely. Search it to find your deepest longings and most terrible fears. Let imagination carry you as far as it may, as long as you recount the voyage with excitement and wonder. But this is the most important rule: write the book you most long to read.
I come from a place of sincerity. I write about what I see and feel. I write about what I want, I don't have a political agenda. Politics may enter into a song but it always comes from the heart.
Every time I enter a country and have to write down my occupation at customs, I'm like, 'I don't know... Author? Host? Writer? Stand-up?' I usually write 'author' - that's the safest bet.
The main riff for 'SandMan' was just something I wrote one night.
I was hired to do as many Boy Commando, Newsboy Legion, and Sandman stories as I could.
Along with all else, Sandman is a comic strip for intellectuals, and I say it's about time.
One of DC's strengths is our archive of storylines ranging from 'Watchmen' to 'Arkham Asylum' to 'Sandman.'
I thought I would write non-fiction. I thought I would enter the New York literary scene as copy editor, work my way up, and then write my own books.
Neil Gaiman's 'Sandman' just rocked my world in the late '80s and early '90s. I couldn't read them fast enough.
We write out of revenge against reality, to dream and enter the lives of others.
The poorest man may in his cottage bid defiance to all the forces of the ?rown. It may be frail - its roof may shake - the wind may blow through it - the storm may enter - the rain may enter - but the King of England cannot enter.
A candy coloured clown they call the sandman Tiptoes into my room every night Just to sprinkle stardust and whisper; "Go to sleep, everything is alright"
From 'The Sandman' and 'Black Orchid' to 'Whatever Happened to the Caped Crusader?,' Neil Gaiman has provided some of the most memorable stories of the comic book industry.
I know one thing - very few writers in Southern California get to write what they want to write. We are more or less worker ants, working for either film companies or tv companies or Internet companies. We do a lot of assigned work. Feelings hardly ever enter into it. If they do, they tend to be on a sort of soap opera level.
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