A Quote by Robert Trujillo

I like that Metallica has found a way to have these non-pedestrian arrangements but then the vocal melody is strong and intense. I've always appreciated that as a fan. — © Robert Trujillo
I like that Metallica has found a way to have these non-pedestrian arrangements but then the vocal melody is strong and intense. I've always appreciated that as a fan.
I still feel like if I can get a song to work with, say, a basic beat, a rhythm, some chord changes, and a melody, a vocal melody - if it works with that, then I feel it's written and there's something there.
I saw Metallica, I'm not a major Metallica fan, but I like music enough to get invited and went.
It's always a pleasure when you can compose guitar parts from a strong vocal and not just put the melody on top of guitar riffs.
I still feel like if I can get a song to work with, say, a basic beat, a rhythm, some chord changes, and a melody, a vocal melody - if it works with that, then I feel it's written and there's something there. So I intentionally don't get involved with arranging stuff or fussing over the sounds and the edits and the beats too much, at least not in the beginning, because I feel like then you can fool yourself that you've got something there, when you might not.
I always believe that every song tells a story, so the last thing I want to do is edit out like the meat of the story. I would pick songs based off a), whether I felt like I could do anything with them, and b) whether I felt like I could keep the story intact. And then you sit in with one of the piano players and one of the vocal coaches and kind of work out your arrangements that way.
Everyone's [ me, Iain Cook and Martin Doherty] equally involved in all the writing. Normally we'll start with a sample or a drumbeat, or a synth sound or something like that, and that will spark the initial idea. And then we'll write an instrumental sketch of a song, and then we put on a nonsense vocal melody, which is always my favourite bit because it obviously sounds amazing.
You listen to a Metallica song, and you listen to the drums, and they're not necessarily swinging, but the arrangements are different. Why is that? Because it's more in tune with jazz arrangements. It's very different. It's not a traditional rock and roll production, in terms of the drums.
I've been a fan of Metallica and friends with those guys for a long time and that was just great - half Alice In Chains and half Metallica playing together.
Usually what I do is I write my vocal melody over guitar parts and then I come up with lyrics.
I have always been a huge sports fan, but more of the pedestrian and 'homer' sort.
I'm a big fan of independent girls who are strong-willed, vocal in their opinions, and have a sense of humor.
There's a melody in everything. And once you find the melody, then you connect immediately with the heart. Because sometimes English or Spanish, Swahili or any language gets in the way. But nothing penetrates the heart faster than the melody.
I've always found drugs and alcohol somewhat pedestrian. It's like, I don't need an external agent to open my mind. I'm here, conscious, alert, present. Why would I alter that?
For me, songwriting starts with a melody. When a musician plays a chord progression, either the words and vocal melody come to me, or they don't. That's how I determine who to write with. It works, or it doesn't.
I've always been a fan of melody and emotional melancholy, whether it was Rites of Spring or Tears for Fears or Neil Young. If I hear a song that has a sweet melody, I'm a sucker for it, whether it's Linkin Park or Little Richard.
I always wonder about the word 'intense.' 'Intense' is used to describe women. Guys are intense, but they don't get described that way.
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