A Quote by Robert Schumann
It was an unforgettable picture to see Chopin sitting at the piano like a clairvoyant, lost in his dreams; to see how his vision communicated itself through his playing, and how, at the end of each piece, he had the sad habit of running one finger over the length of the plaintive keyboard, as though to tear himself forcibly away from his dream.
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I had begun to think that dreams are meant to be no more than dreams and that in reality dreams don't come true. Then my brother (Zac) left on his trip. It was amazing to see all the support that he got from around the world and to see how everyone worked together to help make his dream reality. Watching him do this really made me believe that I could too.
How many of you say: I should like to see His face, His garments, His shoes. You do see Him, you touch Him, you eat Him. He gives Himself to you, not only that you may see Him, but also to be your food and nourishment.
It was a dagger in the haughty father's heart, an arrow in his brain, to see how the flesh and blood he could not disown clung to this obscure stranger, and he sitting by. Not that he cared to whom his daughter turned, or from whom turned away. The swift sharp agony struck through him, as he thought of what his son might do.
Behold the Child among his new-born blisses
A six years' Darling of a pigmy size!
See, where 'mid work of his own hand he lies,
Fretted by sallies of his mother's kisses,
With light upon him from his father's eyes!
See, at his feet, some little plan or chart,
Some fragment from his dream of human life,
Shaped by himself with newly-learned art.
[Miranda Hentoff] was teaching once at Lincoln Center, and the hall was full of other professionals - musicians, professors, teachers. And she was explaining how [Béla] Bartok composed his second piano concerto. And she explained how the music was interwoven with the rhythms and what he had in his mind. And I was just stunned. This is a kid who used to work - on a piano with a cracked keyboard.
How many there are who still say, 'I want to see His shape, His image, His clothing, His sandals.' Behold, you do see Him, you touch Him, you eat Him! You want to see His clothing. He gives Himself to you, not just to be seen but to be touched, to be eaten, to be received within .... Let all of you be ardent, fervent, enthusiastic. If the Jews stood, shoes on, staff in hand, and eating in haste, how much more vigilant should you be. They were about to go to Palestine; ... you are about to go to heaven.
Every philharmonic orchestra merely interprets the composer. My goal was to create new music by that composer. In doing so, I wanted to find the painter's creative center and become familiar with it, so that I could see through his eyes how his paintings came about and, of course, see the new picture I was painting through his eyes - before I even painted it.
How did it happen that now he could see everything so clearly. Something had given him leave to live in the present. Not once in his entire life had he come to rest in the quiet center of himself but had forever cast himself from some dark past he could not remember to a future that did not exist. Not once had he been present for his life. So his life had passed like a dream. Is it possible for people to miss their lives the way one can miss a plane?
I love Arthur Rubinstein, especially his live recordings. I think his Chopin Mazurkas, his interpretation of the Polonaises, and the Concertos of Chopin are just incredible. When I was a child, I wanted to play more and more Chopin because of his recordings.
I can see his pain, see it in the way he runs his fingers through his hair, over and over, and I understand what it costs him to hide it all.
But all three of them had had to lose things in order to gain other things. Will had lost his shell and his cool and his distance, and he felt scared and vulnerable, but he got to be with Rachel; and Fiona had lost a big chunk of Marcus, and she got to stay away from the casualty ward; and Marcus had lost himself, and got to walk home from school with his shoes on.
After Mengistu consolidated his power in 1978, his personality gradually began to change. His ability to listen and his patience faded away. We could now see these qualities were pretences only; he had been putting on his best behavior in his bid for support.
A man went to Istanbul, his first visit there. On his way to a business meeting, this man lost his way. He began raging at himself for getting lost, until a realization allowed him to transcend his ire. "How can I be lost? I've never been here before?" pp 104-105
The master in the art of living makes little distinction between his work and his play, his labor and his leisure, his mind and his body, his information and his recreation, his love and his religion. He hardly knows which is which. He simply pursues his vision of excellence at whatever he does, leaving others to decide whether he is working or playing. To him he's always doing both.
Each leaf that brushed his face deepened his sadness and dread. Each leaf he passed he'd never pass again. They rode over his face like veils, already some yellow, their veins like slender bones where the sun shone through them. He had resolved himself to ride on for he could not turn back and the world that day was as lovely as any day that ever was and he was riding to his death.
And his good wife will tear her cheeks in grief, his sons are orphans and he, soaking the soil red with his own blood, he rots away himself-more birds than women flocking round his body!
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