A Quote by Roberto Aguirre-Sacasa

One of my comics is read by more people - around 70,000 - than will see my entire run at Manhattan Theater Club. That puts things in perspective. — © Roberto Aguirre-Sacasa
One of my comics is read by more people - around 70,000 - than will see my entire run at Manhattan Theater Club. That puts things in perspective.
The thing about New York is, more than any other place I've ever been, you run into people on the street that you would never imagine you'd see, old friends, people just like there for a day or two. I find that all the time when I'm walking around Manhattan, running into people that I had no idea were even there.
If you build a 70,000-seat stadium it will cost much more than double to build than a 35,000-seater. The higher the seat the more expensive it is to construct.
It's too bad for us "literary" enthusiasts, but it's the truth nevertheless -- pictures tell any story more effectively than words . . . If children will read comics . . . why isn't it advisable to give them some constructive comics to read?.
I like collecting comics, I like buying comics, I like looking at comics, but I also read comics on digital readers, so any way people read comics is fine with me. Digital is just helping people who might not necessarily have access to comics help them; that's great.
I've been driving in the city for years because, as a stand-up in N.Y.C., you can perform at more comedy clubs a night if you have a car. Getting from club to club by subway is too slow at night and too expensive by cab. So, many comics live far out from Manhattan and drive in every night.
More and more, I tried to make comics in the way I like to read comics, and I found that when I read comics that are really densely packed with text, it may be rewarding when I finally do sit down and read it, but it never is going to be the first I'm going to read, and I never am fully excited to just sit down and read that comic.
My preference is live performance. Because you get the feedback. There's an energy. It's live theater. That's why I think actors like that. You know, musicians need it, comedians definitely need it. It doesn't matter what size and what club, whether it's 30 people in the club or 2,000 in a hall or a theater. It's live, it's symbiotic, you need it.
I kind of consider myself... I mean, I try to have my comedy be accessible, and if people are paying $30 to see me in a theater and they want to have their picture taken with me, it's not the end of the world. It's one of those things, where I'm not the only comic who does it. A lot of comics do it. If I'm doing a 4,000-seat venue, it might be a little bit of a different task, but it's all good.
I'm a hybrid, from a cultural perspective, but I don't think in these terms. I'm more simple than that. I'm a mammal who will live 70 years, more or less, who believes in God and likes his life.
When I used to go to the Manhattan Chess Club back in the fifties, I met a lot of old-timers there who knew Capablanca, because he used to come around to the Manhattan club in the forties - before he died in the early forties. They spoke about Capablanca with awe. I have never seen people speak about any chess player like that, before or since.
You come to our stadium and look at the aura of 100,000 people. You look up there and see an Army tank coming at you. You see it on a TV screen, it's one thing. You see it at a movie theater, that's something else. When that thing's coming at you 70 feet high and 180 feet long, now that looks like a tank.
Nothing clears my head and puts things in perspective quite like a long, hard run.
Comics have always helped people to read. A lot of people learned to read by reading the comics. And it's our livelihood, after all. If people don't know how to read, they're not reading our comics.
It doesn't get much more special than playing at Wembley in front of 70,000 people. It's definitely what dreams are made of.
There are some things that are more appropriate for different audiences. But the goal with all ages is to create comics that anyone can read, that don't talk down to kids. Kids can handle a lot more than people think.
Our tax code is arcane, burdensome and unwieldy. In the years since Ronald Reagan's 1986 Tax Reform Act, the code has gone from fewer than 30,000 pages to more than 70,000.
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