A Quote by Roberto Matta
I am interested only in the unknown and I work for my own astonishment.
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I am interested in the unknown, and the only path to the unknown is through breaking barriers, an often painful process.
I am interested in solving an unknown factor of art and an unknown factor of life.
I am interested only in "nonsense"; only in that which makes no practical sense. I am interested in life only in its absurd manifestations.
I am not at all interested in theories about cinema. I am only interested in images and people and sound. I am really a very simple person.
I am not really interested in only showcasing my life or work but plan to produce, write and create work that is solely my vision.
I am not interested in genres. I am interested in doing the best work I can in whatever medium.
Discipline, as understood by a warrior, is creative, open, and produces freedom. It is the ability to face the unknown, transforming the feeling of knowing into reverent astonishment; of considering things that exceed the scope of our habits, and daring to face the only war that is worthwhile: The battle for awareness.
What am I doing as a filmmaker? What is the goal? To look for the unknown atmosphere that hasn't been described before. This is my only goal. Unknown images. Because if not, it's boring, no?
We talked, she and I. She asked about my work and it was a pretense, she was not interested in my work. And when I answered, it was a pretense. I was not interested in my work either. There was only one thing that interested us, and she knew it. She had made it plain by her coming.
For my own part I am more interested in my work than its mere money value.
It is the job of artists to open doors and invite in prophesies, the unknown, the unfamiliar; it’s where their work comes from, although its arrival signals the beginning of the long disciplined process of making it their own. Scientists too, as J. Robert Oppenheimer once remarked, ‘live always at the ‘edge of mystery’—the boundary of the unknown.’ But they transform the unknown into the known, haul it in like fishermen; artists get you out into that dark sea.
There is the unknown and the unknowable which propounds all creation. This we cannot love , we can only accept it as a term of our own limitation and ratification. We can only know that from the unknown, profound desires enter in upon us, and that the fulfilling of these desires is the fulfilling of creation.
I personally have no shame in saying I am extremely interested in fashion. I am not as interested in trends. I won't go on Style.com unless I'm looking for stuff to wear to an event, or there's a designer I am interested in.
I write from my knowledge not my lack, from my strength not my weakness. I am not interested if anyone knows whether or not I am familiar with big words, I am interested in trying to render big ideas in a simple way. I am interested in being understood not admired.
A freedom which is interested only in denying freedom must be denied. And it is not true that the recognition of the freedom of others limits my own freedom: to be free is not to have the power to do anything you like; it is to be able to surpass the given toward an open future; the existence of others as a freedom defines my situation and is even the condition of my own freedom. I am oppressed if I am thrown into prison, but not if I am kept from throwing my neighbor into prison.
So I am totally aware that when I defend the autonomy of art I'm going counter to my own development. It's more an instinctive reaction, meant to protect the private aspect of the work, the part I am most interested in and which nowadays is at risk in our culture.
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