A Quote by Robyn

Being onstage and communicating with an audience was part of my life since I was very little, but I was never pushed into singing. My parents were so uninterested in me making music.
Being onstage and communicating with an audience was part of my life since I was very little, but I was never pushed into singing.
I have had very little interest in being an icon or visual representation for my music. I like playing music with my bandmates and I have more and more fun onstage these days, but the part where you're supposed to be a salesman for your music is pretty unappealing to me.
I'm very blessed, mainly because even though my family is mostly in show business, it's really centered around music. My parents were very successful in many ways, but they weren't necessarily top of the charts. We were never wealthy because of music. We always had to work and we always had to struggle a little bit, and I think at the end of the day that's been very good for me, because I have a sense of it being very ephemeral.
No one in my family plays music. But since I was very little, I would go around the house singing and dancing. And when I was 8, my parents asked me to get up and sing something at a family meal. I had my eyes closed, singing - la la la la la - and when I opened them, the whole family was crying.
Being on stage was all about the palpable energy of a rapt audience hopefully buying into a life onstage. The immediate connection with the audience was the best part for me. The camera is not as fun, but your work is preserved forever. There's immortality to it.
My parents never pushed me towards music. I feel like, growing up in a musical household and always being surrounded by it, I was always kind of a performer child. I remember my parents would have guests over, and they would bring their kids, and I would make sure that we were ready to put a show on.
The theater is a communal experience, and whatever the emotional connection between an audience member and the actors onstage, it ripples through the whole audience. Part of the fun of the play is being a part of that audience.
There were times in my career I went a little further than I wanted because of expectations. Doing certain things onstage when children were in the audience, wearing certain clothes, singing certain lyrics.
I think my parents - my parents were very hands-off, quite liberal in terms of their - they really - they did encourage me, but they never really pushed me into anything, really.
A workshop is a way of renting an audience, and making sure you're communicating what you think you're communicating. It's so easy as a young writer to think you're been very clear when in fact you haven't.
But at the same time, my parents always encouraged my brother and me to be happy with what we were doing. My parents were athletes in high school; my mom and my dad were the stars of the basketball team, but they never pushed my brother and me to be anything we didn't want to be.
I was five years old, onstage singing 'Twinkle, Twinkle, Little Star' - a rock version - and I was always wanting to entertain. But the biggest thing for me is just country music has helped me get through the worst times of my life and the best times of my life. I want to give that back to people.
Another one of my favourite sayings is, you can't handpick your audience. I feel like I'm making music for people who think like me about music, and that takes a lot of different forms. I could never generalise - but I think if I were to generalise, I'd think that you would say that most of my fans are music lovers who are looking for something outside of the mainstream: maybe a little bit hard to pin down, a little bit hard to categorise.
My parents were very open about what kind of talent I had. They never pushed me to become an accountant because they knew that would be just absolutely ridiculous. So they were encouraging in what I am able to do with some success.
There's something about being in front of a live audience that's fun. It's a really interesting, very electric, very alive, and intense experience, and you can't get it anywhere else. And I've been doing it since I was 23, so it's part of my being - it's part of my fabric as a person.
I wasn't playing the music, the music was playing me... and once that went away, and I had the feeling I was playing music, I had to stop. The need to go onstage and get my brain flattened every night left me, and what I didn't wanna do is go onstage and perpetrate a fraud... You cannot fool an audience.
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