A Quote by Robin Thicke

I grew up in a Hollywood family with money, so money is not the reason I make music. I'm as Hollywood as it gets. Not internally but externally - that's my bloodline.
I wasn't making any money, but I didn't feel unsuccessful because of that. You can do that in New York but not in Hollywood. In Hollywood, it is how much money you make.
There isn't any question that Hollywood is profit driven. Anybody that thinks it isn't is a fool. It's a business. Hollywood was never philanthropy. The only purpose it had was making money; the only purpose it still has is to make money.
Hollywood expects you to experiment but on a film that makes money and if you don't make money, you're to blame. Your job is to make money.
I would love nothing more than me and my family getting green cards, going to L.A. for a year, sitting down with the big Hollywood studios and coming up with the most advanced and awesome Internet distribution platform for movies. It would make Hollywood more money than cinemas, DVDs, and everything else combined.
I grew up around really not-normal people. My family is general Hollywood. They're all artists; they're creative people who are advocates for expressing themselves. But I also have to say I'm not impressed with Hollywood.
To walk in money through the night crowd, protected by money, lulled by money, dulled by money, the crowd itself a money, the breath money, no least single object anywhere that is not money. Money, money everywhere and still not enough! And then no money, or a little money, or less money, or more money but money always money. and if you have money, or you don't have money, it is the money that counts, and money makes money, but what makes money make money?
Our company, it's, uh, really un-sexy. And I think most people get into Hollywood to be showy. We first of all make horror movies, which people turn their noses up at. Second of all, we make cheap movies, and Hollywood's a lot about ego and money and, 'My movie cost $200m!,' you know?
My mother's whole family had been from the theater, really. Because I grew up in Hollywood, I wasn't that interested in Hollywood. But the New York theater was completely exotic and fabulous to me.
Most of Hollywood is about making money - and I love money, but I don't make the films thinking about money.
There was no doubt that there was a vast organization which was making fools of all the liberals in Hollywood and taking their money, that there was a police state among the Left element in Hollywood and Broadway.
The only reason I'm in Hollywood is that I don't have the moral courage to refuse the money.
Hollywood is a business and movie studios are only going to do what's going to make money. It's not an altruistic thing. They are blatant grabs for money. Responsible studios want to make quality pictures, but at the same time nobody is going to make quality pictures they know aren't going to make any money.
Hollywood is Hollywood. It'll never change, although it does go through its own transformations. I think that there's this obsessiveness with making money, which has gotten out of proportion.
Hollywood people are filled with guilt: white guilt, liberal guilt, money guilt. They feel bad that they're so rich, they feel they don't work that much for all that money - and they don't, for the amount of money they make.
Working in Hollywood, it's clear the more money you have, the more technology you can get. So you can build a whole Japanese set. Only in Hollywood!
With 'Women in Hollywood,' I didn't direct it, but I produced it, and what we did is followed the money of Hollywood and how that intersects with issues relating to women and, frankly, sexism.
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