A Quote by Robin Furth

In the earlier novels, Steve King tells us that John Farson, and perhaps even the Crimson King himself, are but other names and faces that belong to Walter O'Dim. However, in The Dark Tower, he tells us very clearly that Walter, John Farson, and the Crimson King are actually separate individuals.
King in Crimson is actually an alchemical term. King Crimson is a metaphor for Devil or Satan, but at the same time it's also a metaphor for one of the statures in the purification of man and the purification of mankind soul towards union with God and with Infinite, which is the philosophical aim of alchemists.
Now, if King Crimson accepts responsibility for innovating its own tradition, you can't accept responsibility for the audience. And there is an enormous tangible weight of expectation, which comes from an audience attending a King Crimson concert.
Michael Giles the first drummer of King Crimson, never agreed to the name King Crimson. But then, if you'd knew Michael, you would know he didn't agree to the album cover either. So maybe Michael didn't agree to the point of definition with many things.
When music appears which only King Crimson can play, then, sooner or later, King Crimson appears to play the music.
King Arthur is profoundly stupid and inept.. then there's Clive Owen, rising above it all. Aloof yet watchful, the actor cultivates an inner stillness that is perfect for faintly ironic brooders. He neither distances himself from this risible material nor pulls out the stops and opens himself to ridicule. His King Arthur tells us little about Arthur, but much about protecting one's flank. The mark of a box-office king?
A weak King must be what other Kings have been; a strong King is himself, and from then on the meaning of the name of King is changed.
The whole world is in revolt. Soon there will be only five Kings left--the King of England, the King of Spades, The King of Clubs, the King of Hearts, and the King of Diamonds.
Is there one blues guy who was the most sophisticated and influential, like Duke Ellington or Louis Armstrong in jazz? Was it Muddy Waters, Little Walter, Lightnin' Hopkins, John Lee Hooker, B.B. King, Robert Johnson, or all of them? I think you have to pick all of them.
A personal game-changer was when Ridley Scott cast me as King John, the King of England, for 'Robin Hood.'
I love doing it. It's great. I love doing the sessions, 'cause you're kind of like in a different band every day. I used to do them all the time. I think my first one was John Wetton from U.K. and Asia and all that stuff, King Crimson. It was so great. Really a lot of fun.
Every king sleeps, but not every king wakes up as king! The snakes of the intrigue crawl around during the night! The cleverest king is the least sleeping king!
ROSENCRANTZ My lord, you must tell us where the body is, and go with us to the king. HAMLET The body is with the king, but the king is not with the body. The king is a thing - GUILDENSTERN A thing my lord? HAMLET Of nothing. Bring me to him. Hide fox, and all after!
I like 'Discipline.' That's my favorite King Crimson album.
I listened to a lot of King Crimson back in the day.
We have to remember that Dr. King was not an idle dreamer. Dr. King was a man of action. If Dr. King were here, he would challenge us and exhort us.
Treasures and armies do not make a king. A true king is a king within himself.
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