A Quote by Roger Zelazny
The first time I met Harlan Ellison, we were both unpublished young punks in Cleveland, Ohio.
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I drink a lot of beer, and that's the drug of choice. You find the drug that works for you. I know, for instance, this guy named Harlan Ellison - and he's not alone - who's very proud of the fact that he doesn't put dope into his body. He tries not to put additives into his body, or anything like that. But he can afford to do that because Harlan's drug of choice is Harlan.
Growing up in Cleveland, the first time I went to a WWE event, Cleveland didn't even have an arena. The Cavaliers were playing at the Richfield Coliseum. I would go out there.
I remember the first time I met Hulk Hogan was at a hotel somewhere in Cleveland. My bags were really heavy and he walked over and helped me. He even knew my name, so that was a big thrill for me.
No one inspired me to write, but writer Harlan Ellison terrified me into getting published.
I'm from Cleveland, Ohio, which has one of the largest Jewish populations in a single district in the state of Ohio and almost anyplace else in the United States.
I sold my first short story while I was home on maternity leave, then began working on novels. Since I was reading and enjoying romance novels at the time, the first two unpublished manuscripts I wrote were both romances. I sold my third novel, 'Call After Midnight,' to Harlequin Intrigue after submitting it unagented.
First time I met Jack [Nicholas ] I had heard about his golf and prowess - I was playing in the Ohio amateur.
It was very important for me to touch on things that haven't changed, like schools. I'm in Cleveland, Ohio. My lady's from Ohio, and the schools are being torn down, and they turned them into high-rise condos.
If you don't care about science enough to be interested in it on its own, you shouldn't try to write hard science fiction. You can write like Ray Bradbury and Harlan Ellison as much as you want.
When I was in Cleveland, Ohio, if you asked me what I'd be doing in 10 years, I'd probably say, 'I'll own my own Mr. Hero, living in Cleveland, married with three kids.' Now I can say I've literally traveled the world with WWE.
And [Asimov]'ll sign anything, hardbacks, softbacks, other people's books, scraps of paper. Inevitably someone handed him a blank check on the occasion when I was there, and he signed that without as much as a waver to his smile — except that he signed: 'Harlan Ellison.
Like Richard Ellmann on James Joyce, Arnold Rampersad on Ralph Ellison is in a class of its own. His masterful and magisterial book is the most powerful and profound treatment of Ellison's undeniable artistic genius, deep personal flaws, and controversial political evolution. And he reveals an Ellison unbeknownst to all of us. From now on, all serious scholarship on Ellison must begin with Rampersad's instant and inimitable classic in literary biography.
In [Ralph] Ellison's case, it's more psychological than it is phenomenal, and it's conditioned by anger, animosity, and lack of desire to engage with the black body. There was always simultaneity that had nothing to do with visuality. You can be there and not be there at the same time and be fully visible all the time. That's what really struck me about Ellison .
I started out in the 1940s, singing around the clubs of Cleveland, Ohio, where I grew up. There was a woman in showbusiness, a contortion dancer called Estelle 'Caldonia' Young - she was named after the song Caledonia Caledonia.
When I first started painting, I had an interesting nightmare about Cleveland - I dreamed the houses there were encased in this free-floating cage structure. I guess Cleveland was a confining place for me, even though my parents weren't too conservative.
At the time in our lives that we met, we had both made our mistakes. If chance would have had it that we would have met at an earlier stage, we might not have had the discoveries together that we did have and found those things in life together that were valuable to us at a later point in life when we were both more mature.
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