A Quote by Roger Lewis

For me, poetry is the colour of Elizabeth Taylor's eyes, or the pauses in Pinter's plays - only the pauses, not the words. — © Roger Lewis
For me, poetry is the colour of Elizabeth Taylor's eyes, or the pauses in Pinter's plays - only the pauses, not the words.
Even the way Mamet describes silences within his plays is different. There are pauses; there are pauses within parentheses; there are pauses before dialogue; there are pauses in the spaces between the dialogue - there's this extraordinary vocabulary of silence which is all there on the page, mapped out.
When somebody's talking to us, they're not putting pauses - carefully putting pauses between words. It all flows together. The problem with that though, it's very hard to read.
Build gaps in your life. Pauses. Proper pauses.
I do pauses, pauses work for me
Tender pauses speak The overflow of gladness, When words are all too weak.
Elizabeth Taylor is one of the great cultural icons. She is a part of our history and should be celebrated.… This presentation is very special for the community, there are so many people who want to understand this side of Elizabeth Taylor.
I also learned to tell a story. I think I learned from poetry how to time a story. Poetry's timing, beats and pauses. That white space on the page is as important as the black. The bottom of the page is blackout. It's performance.
Elizabeth Taylor is, in my opinion, the greatest actress in film history. She instinctively understands the camera and its nonverbal intimacies. Opening her violet eyes, she takes us into the liquid realm of emotion, which she inhabits by Pisces intuition. Richard Burton said that Taylor showed him how to act for the camera. Economy and understatement are essential. At her best, Elizabeth Taylor simply is. An electric, erotic charge vibrates the space between her face and the lens. It is an extra-sensory, pagan phenomenon.
An underestimated element in poetry, that reading aloud makes clear, is the pause. I mean especially the force of a pause or a couple of pauses close together, contrasted with a longer unit of grammar.
Listen to John Coltrane enough and after two bars, just two bars at any place, and you know that's him. We all have signature things that happen to be similar that you can predict and you try to stay away from that except the rhythms: those pauses, they're part of my signature, the part where I know when I say nothing, I already painted enough, led enough and I don't even have to say anything. But those pauses don't belong to me. Jack Benny was one of the first guys in comedy to make the anticipation so great that during the pause people start to laugh before the execution.
He pauses when he finishes undoing the last button, then closes his eyes. I can see the pain slashed across his face, and the sight tears at me. The Republic's most wanted criminal is just a boy, sitting before me, suddenly vulnerable, laying all his weaknesses out for me to see.
I've always loved big eyes, like those of Audrey Hepburn and Elizabeth Taylor. But my mother didn't allow me to wear make-up until I was 15.
Society has a problem with female nudity when it is not . . . ”—Badu pauses to get her words together; she wants this point to be very clear—“. . . when it is not packaged for the consumption of male entertainment. Then it becomes confusing.
I've had the good fortune of working with some amazing people. I mean, my first Broadway show was with Elizabeth Taylor and Maureen Stapleton. Maureen Stapleton, a legend in the theatre; Elizabeth Taylor, a legend, period.
I am annoyed by individuals who are embarrassed by pauses in a conversation. To me, every conversational pause refreshes.
I've always liked texts that you immediately understand. I suppose the playwrights who really speak to me are Edward Bond, Joe Orton and Harold Pinter. I've been in six different Pinter productions - I love the clarity of his language. He has this way of using words - there's a thrill to them.
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