A Quote by Roger Moore

Learning a play is one thing, but to learn to play Vivaldi's 'Four Seasons' without music: that's brilliant. — © Roger Moore
Learning a play is one thing, but to learn to play Vivaldi's 'Four Seasons' without music: that's brilliant.
When I'm really in the car, I'll cut on Vivaldi's 'Four Seasons.' That's probably the thing that's soothing to me the most.
It is possible to enjoy the Mozart concerto without being able to play the clarinet. In fact, you can learn to be an expert connoisseur of music without being able to play a note on any instrument. Of course, music would come to a halt if nobody ever learned to play it. But if everybody grew up thinking that music was synonymous with playing it, think how relatively impoverished many lives would be. Couldn't we learn to think of science in the same way?
We will learn no matter what! Learning is as natural as rest or play. With or without books, inspiring trainers or classrooms, we will manage to learn. Educators can, however, make a difference in what people learn and how well they learn it. If we know why we are learning and if the reason fits our needs as we perceive them, we will learn quickly and deeply.
Play gives children a chance to practice what they are learning...They have to play with what they know to be true in order to find out more, and then they can use what they learn in new forms of play.
Don't be lazy. Learn your instrument and the kids should be learning that stuff. We have to get back to the musicianship of the music. It's called music, so at some point somebody has to learn how to play an instrument.
That's one thing you learn as a quarterback: focus. The better you are at focusing and the more you can continue to stay focused for a four-hour stage and really be zeroed in on what is happening, the better you play, the longer you play.
It's one thing to write the music, it's another thing to write it down, it's another thing to play it, and something else altogether again to learn how to play it. These are the elements that are fascinating, and, you know, move my world.
Learning is not child's play; we cannot learn without pain.
I play a bunch of instruments, like piano, drums, guitar and bass. And the kazoo every now and then. I'm trying to learn how to play the trumpet and the saxophone. That's what I'm learning how to play.
Jazz is not the kind of music you are going to learn to play in three or four years or that you can just get because you have some talent for music.
When I got a little bit older I wanted to play piano - that's all I wanted to do. I remember learning how to play a blues progression on the xylophone in music class and thinking "This is the greatest thing I've ever learned."
Surveys of thousands of gamers have shown that they're more likely to play real music if they play a music videogame. So it's an interesting relationship where the games aren't replacing something we do in real life, they're serving as a springboard to a goal we might have in real life, like learning to play an instrument.
It's one thing to just play a tune, or play a program of music, but it's another thing to practically create a new language of music, which is what 'Kind of Blue' did.
Mostly, whenever I'm booked to do instruction, I just play a little bit and get people to ask questions. We'll play some music for 'em, 'til somebody hollers out, 'Play 'Milk Cow Blues' or 'Play 'San Antonio Rose.' We play requests and demonstrate our music.
I do so play an instrument! I play air! I play the air with my fingers, and I'm in touch with the deepest emotions within. It took me a while to learn that whatever I feel like doing is the right thing. If I want to play an invisible instrument, I will.
My parents were opera singers. I didn't want to play opera because I wasn't good enough. I didn't want to play their music; I wanted to play the music that I wanted to play, and I'm so lucky that today I get to play that music, even though I don't like every song I write.
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