A Quote by Roger Ebert
The genius is not in how much Stanley Kubrick does in “2001: A Space Odyssey,'' but in how little. This is the work of an artist so sublimely confident that he doesn't include a single shot simply to keep our attention. He reduces each scene to its essence, and leaves it on screen long enough for us to contemplate it, to inhabit it in our imaginations. Alone among science-fiction movies, “2001'' is not concerned with thrilling us, but with inspiring our awe.
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Standing beneath the white light of an Apple store is like standing on a Stanley Kubrick movie set. His '2001: A Space Odyssey' predicted Jobs and a future where technology was our friend. Kubrick, of course, didn't like what he saw. And occasionally, I have my doubts.
I watch 2001: A Space Odyssey every time it’s on. I made the kids watch it every time, too, and now they just love watching it. Stanley Kubrick’s great. And Blade Runner is one of my top three science fiction films. A lot of it has come true.
'Interstellar' may never equal the blast of scientific speculation and cinematic revelation that was Stanley Kubrick's '2001: A Space Odyssey,' but its un-Earthly vistas are spectral and spectacular.
Young people today are flooded with disconnected images but lack a sympathetic instrument to analyze them as well as a historical frame of reference in which to situate them. I am reminded of an unnerving scene in Stanley Kubrick's epic film, 2001: A Space Odyssey, where an astronaut, his air hose cut by the master computer gone amok, spins helplessly off into space.
Stanley Kubrick's '2001' was the door that opened up the possibility of science fiction for me. Everything else up to then was fine, but didn't quite work for me.
As filmmakers, we want the audience to have the most complete experience they can. For example, I interviewed Stanley Kubrick years ago around the time of '2001: A Space Odyssey.' I was going to see the film that night in London, and he insisted I sit in one of four seats in the theater for the best view or not watch the film.
For me the most moving moment came when I first started working on 2001. I was already in awe of him, and he had very much already become Stanley Kubrick by the time the film started.
To be good Christians you have to contemplate the suffering humanity of Jesus. "How can we bear witness? Contemplate Jesus. How can we forgive? Contemplate Jesus suffering. How can we not hate our neighbor? Contemplate Jesus suffering. How can we avoid gossiping about our neighbor? Contemplate Jesus suffering. There is no other way". These virtues are the those of the Father, who forgives us always, and Our Lady, Our Mother, shares in these virtues too.
How our story has been divided up among the truth-telling professions! Religion, philosophy, history, poetry, compete with each other for our ears; and science competes with all together. And for each we have a different set of ears. But, though we hear much, what we are told is as nothing: none of it gives us ourselves, rather each story-kind steals us to make its reality of us.
A lot of cinematic influences on 'Descender' - Kubrick for sure. '2001: A Space Odyssey' is my favorite movie. It has been since I was 12. I just love that film.
What I feel I can do is help people become aware of how pervasive and extensive the arts are, how they affect each one of us in our daily lives—what kind of [buildings] we live in, what kind of clothes we wear, what we see with our eyes. We are often blind to the beautiful things around us. What I'm mostly concerned about is how often we're blind to our own talent. I think that within each human being there is a creative spirit, and some of us have been fortunate enough to have good teachers and parents who've brought this out and encouraged it, but others haven't.
My review of 2001, the year, is the same as my review of 2001: A Space Odyssey. It went on too long, it was hard to follow, and you could only enjoy it if you were really, really, *really* stoned.
Does each of us need to suffer agony to understand how brutal our gridiron entertainment is? Surely, seeing is believing enough. So, what is football doing to us as a people? How do we explain an America that alone in the world so loves this savage sport?
As we contemplate with reverence and awe how our Savior embraces us, comforts us, and heals us, let us commit to become His hands, that others through us may feel His loving embrace.
Each of the major sciences has contributed an essential ingredient in our long retreat from an initial belief in our own cosmic importance. Astronomy defined our home as a small planet tucked away in one corner of an average galaxy among millions; biology took away our status as paragons created in the image of God; geology gave us the immensity of time and taught us how little of it our own species has occupied.
If you take 2001: A Space Odyssey as an example of somebody who creates a new language in film by what he was able to accomplish with art direction, photography, lighting, etc., it is still a gold standard for science fiction.
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