A Quote by Rodney Crowell
Since 'Houston Kid,' I've got a pretty good track record. Before that, I wrote some hit songs, but I didn't come into my own until I was about fifty. Before that, I had bursts of talent.
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I've loved acting and dancing since I was a kid. Before anyone thought I was pretty or before I had a voluptuous figure, that was what I was going to do.
Every single day I wrote a song, I was hoping somebody like Luke Bryan, Jason Aldean or whoever would record the song. It's tough to do because there are so many great songwriters in Nashville, and I was lucky enough to get some songs recorded before I got my record deal.
Before we started writing we did feel pressure because of the success of the first record. One of the first songs that we wrote was "Out Of My Heart" which is the first single. As soon as we wrote that, we knew we just set the standard and every other song had to be as good if not better.
I wrote a few unsuccessful screenplays before I wrote 'Before the Devil Knows You're Dead.' I wrote them as television plays that never got made. I'm glad I wrote them - I think it was a good experience.
I was a pretty happy kid, I had to fake it. I had to get into this miserable character before I wrote poems.
I was playing the piano when I was three, writing songs when I was ten. I had a lot of experience before I got to college. I knew I wanted to be a singer, so anyone who met me, I didn't let too much time pass before I showed my talent.
The first track is the end of a string. At the far end, a being is moving; a mystery, dropping a hint about itself every so many feet, telling you more about itself until you can almost see it, even before you come to it. The mystery reveals itself slowly, track by track, giving its genealogy early to coax you in. Further on, it will tell you the intimate details of its life and work, until you know the maker of the track like a lifelong friend.
I've been writing music since I was about eight. I would write sporadically. I wrote a lot of music in high school. I guess the oldest song on the record ("I Thought I Saw Your Face") is about eight years old. It's the old "I had my whole life to write my first album and six months to write the second one." I did, to some degree, but actually, a lot of the songs that ended up on the record, I wrote really recently. So it varies.
I'd always wanted to do an R&B and soul record; a friend with a studio asked to come by and record a couple of songs, maybe just make a 45. Then the songs started to pour out, and pretty soon we had eight or 10 songs down.
I got my first laptop, what I learned to do everything on, when I was 17 or 18, and I had no idea what I was doing. I'd only ever produced on an 8-track before. When I was about 13 and writing songs, I would write on that. It would literally be eight tracks, and that's all I had.
When I wrote for myself before as an artist, I probably wrote about 15, 20 songs a year. I thought that was a lot. Then, when I first started writing for the people, I wrote, like, 65 songs in a year for two years in a row.
Before you have a hit song, all you're doing is banging on the door and screaming, 'I've got something I want to play...' Now with the hit songs, they're like, 'Okay man, we're listening. Whaddya got for us?'
See, Sway, that’s what you get for flunking your pilot’s test six times…which I’m pretty sure is a record of some sort. If not for the actual flunking, definitely for the persistence in pursuing that which you obviously have no talent for. Personally, I wouldn’t let you fly a remote-control kid’s plane. (Vik) Shut up before I find a can opener. (Sway)
I wrote poetry before I wrote songs, and T.S. Eliot was my inspiration. I love his honesty and try to bring that to my own songwriting.
What made it so special was the city of Houston had never won a sports championship. I think the championship changed people's thinking about their own city. It made them feel like their city had some significance that it hadn't had before.
I'm learning how to work my voice. I got some songs that you probably wouldn't even know it's me singing on there. I will sit there and take 20 takes until I hit that note right. It's different on stage - you've got to hit the notes that one time.
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