A Quote by Rosalyn Sussman Yalow
If you ever have a new idea, and it's really new, you have to expect that it won't be widely accepted immediately. It's a long hard process.
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There's nothing more true in being a child of a diaspora, a child of immigrants. We're completely new to our parents. We're not something they can ever understand. And it's not as if we are ever going to be accepted. We're accepted as long as we conform to what we are expected to be, and I'm sure that's not any different for anyone else.
To solve a problem is to create new problems, new knowledge immediately reveals new areas of ignorance, and the need for new experiments. At least, in the field of fast reactions, the experiments do not take very long to perform.
Men in makeup, obviously, is a very new concept. It has not been widely accepted in the past.
I was in New York 9/11. Mark's [Wahlberg] from Boston, flew there immediately after. I was in Nice Bastille Day when the truck drove through and killed all these people. It's the new reality, unfortunately. The idea of trying to explore how we process this kind of event, how we survive emotionally, what we tell our kids: That was the movie [Patriots Day] we wanted to make.
New York has influenced me a lot in terms of my own independence. I'm really struck by the idea of authenticity, and I think New York embodies that idea, even though people are like, 'I miss the old New York.' But at its core, it has this natural, authentic energy. L.A. lacks that idea; it's painted over.
But when you're in front of an audience and you make them laugh at a new idea, you're guiding the whole being for the moment. No one is ever more him/herself than when they really laugh. Their defenses are down. It's very Zen-like, that moment. They are completely open, completely themselves when that message hits the brain and the laugh begins. That's when new ideas can be implanted. If a new idea slips in at that moment, it has a chance to grow.
Most of my work in New York has been on new musicals. And all through the preview process, they throw you new songs, new lyrics, new choreography, new scripts; you're constantly getting new material. You might get it in the morning and put it in the show at night. It happens every single day, so those muscles are pretty toned.
The system is that there is no system. That doesn't mean we don't have process. Apple is a very disciplined company, and we have great processes. But that's not what it's about. Process makes you more efficient ... But innovation comes from people meeting up in the hallways or calling each other at 10:30 at night with a new idea, or because they realized something that shoots holes in how we've been thinking about a problem. It's ad hoc meetings of six people called by someone who thinks he has figured out the coolest new thing ever and who wants to know what other people think of his idea.
I'm writing songs about New York. A lot of them carry the names of neighborhoods in Long Island. Maspeth, Montauk. I'm getting into the idea of a F. Scott Fitzgerald-esque Long Island back when New York was...New York.
I lived in England for a long time, and even the English didn't think me as one of theirs. In America I'm not really accepted. In New Zealand now, I don't think they even think of me as a New Zealander.
We've just been sort of spinning our wheels for such a long time, for decades really, with each new president being considered illegitimate by the other side. That's been the case ever since Bill Clinton. And it's a - you can't keep frittering away your political capital that way and expect there not to be some long-term rot that sets in.
I had no idea what to expect moving to New York. It's embarrassing to say, but I didn't even realize that people bought contemporary art... that people actually paid for it... I know that's really dumb. I was really naive. I had no idea artists made money.
Working on a new idea is kind of like getting married. Then a new idea comes along and you think, 'Man, I'd really like to go out with her.' But you can't. At least not until the old idea is finished.
To be born again is, as it were, to enter upon a new existence, to have a new mind, a new heart, new views, new principles, new tastes, new affections, new likings, new dislikings, new fears, new joys, new sorrows, new love to things once hated, new hatred to things once loved, new thoughts of God, and ourselves, and the world, and the life to come, and salvation.
I have a hard time memorizing stuff. I'm always in the process of writing a new song, so trying to learn a new one takes a minute.
I had no idea what to expect! When the series began, I was new to comics, so I really had to keep my head down and plow forward so that I could learn as much about this new medium as possible. I wanted so much to do a good job and to please Stephen King and all the longtime Dark Tower fans.
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