A Quote by Roseanne Barr

We're not meant to be parents when we're 50. — © Roseanne Barr
We're not meant to be parents when we're 50.
I read somewhere on the Internet that I have $50 million, and I think what they meant was 50 million pesos.
Someone asked me recently if marriage is 50-50 - it averages out to be 50-50, but sometimes it's 75-25, sometimes it's 90-10. In the end, it has to average out to be 50-50; that's how you support each other.
I would say basically the commonplace observation that kids aren't going to earn as much as their parents is now is a coin flip at this point. Are you going to do better than your parents? It's a 50-50 chance, whereas if you were born in the 1940s or 1950s, you had more than a 90 percent chance you were going to do better than your parents. So basically almost a guarantee for most kids that you were going to achieve the American Dream of doing better than your parents did. Today, that's certainly no longer the case.
My parents used to bring me to Radio City when I was a little girl, so performing there 50 years later was absolutely surreal - especially with my parents in the audience!
Right now, you hear about teamwork, and it's defined as 50-50, and that is a falsehood. There's no such thing as 50-50. You know, you do whatever you have to do as part of the team.
I think I was meant to be a musician who speaks his mind about social justice issues. And I grew up in a lower middle class family, but a family that had enough money to buy a $50 guitar and a $50 amplifier, and had a basement to rehearse in. What I think the global human cost of this horrific poverty is how many Mozarts or curers of cancer are slaving away in the Maquiladoras along the Tijuana border, or in the Indonesian sweat shops? There are billions of people who will never become the people they could be, or the people they were meant to be, due to crushing poverty.
It's been 50 years since I was on the roof of my parents' house shooting Hag in a Black Leather Jacket when I didn't even know there was such a thing as editing. I thought you just shot the film and showed it. That's exactly what I did. I'm not that different 50 years later.
The press still thinks [global warming] is controversial. So they find the 1% of the scientists and put them up as if they're 50% of the research results. You in the public would have no idea that this is basically a done deal and that we're on to other problems, because the journalists are trying to give it a 50/50 story. It's not a 50/50 story. It's not. Period.
Feminists of my mother's generation argued that both mom and dad should work a little less and each do some of the household chores. My parents, for example, split everything 50/50. Even though my father is a terrible cook, he still made dinner exactly half the time.
The 50-50-90 rule: Anytime you have a 50-50 chance of getting something right, there's a 90% probability you'll get it wrong.
As people, [my parents were] very colorful, very talkative, passionate, they really loved each other. But that also meant heated, it meant there was a lot of drama in the house. Which is good for a filmmaker, I think.
My mother was so ignorant of what could have befallen me and was probably so exhausted - she was one of the first generation of single parents as well - that it was all a bit overwhelming. So the naivety of parents meant we did have a certain amount of freedom.
I had invited 50 or 60 peers and friends, most of whom were parents, to see the film [Trust], and I asked about the last scene. It was interesting because it was split right down the middle, 50/50. About half the audience wanted it to end with the very emotional scene between Clive and Liana, and that feeling of realization and catharsis. And, the other half were adamant about keeping that last scene.
People say, 'Grimm, you've been shot like 50. So why don't you just rhyme like 50? Then, you could get the money like 50, Otherwise, before you see success...you'll be 50.'
When I take a black-and-white portrait, it's not particularly meant to please you. It's meant to talk to you; it's meant to shame you. It's meant to scream out at you, and it has a message.
And he believed because loving her meant believing. It meant trusting. And it meant life. It meant Kell Kreiger was no longer alone
This site uses cookies to ensure you get the best experience. More info...
Got it!