A Quote by Rosie O'Donnell

I know the best moments can never be captured on film, even as I spend nearly half my life trying to do just that. — © Rosie O'Donnell
I know the best moments can never be captured on film, even as I spend nearly half my life trying to do just that.
I always thought that I would spend the first half of my life making money so I can spend the second half of my life giving it all away. And one of the defining moments of my life was when I realized that I could do both at the same time with TOMS.
As Jeopardy devotees know, if you're trying to win on the show, the buzzer is all. On any given night, nearly all the contestants know nearly all the answers, so it's just a matter of who masters buzzer rhythm the best.
Orson Welles, one of the best of the best. One of the strongest. As strong as an animal. He somehow was pushed out of the business because he would spend the entire budget of the film before he had even done half the pre-production.
One of the challenges assembling the film was that gun fight went on for three and a half hours and we obviously couldn't spend three and a half hours of the film with one gun fight. It was trying to figure out the balance of how much an audience could take before they either became repulsed or desensitized or bored or just overwhelmed.
I love watching people listen. And on film often some of the best moments if you think about favorite moments on film, often the person isn't even talking.
Life cannot be captured in a few axioms. And that is just what I keep trying to do. But it won't work, for life is full of endless nuances and cannot be captured in just a few formulae.
There were so many of these moments that could never be captured accurately, even in the camcorder, only in the heart.
You have these magical moments in these live events that are never captured on film and that only live on in your memory. Those are always my favorite.
To get the best picture of a captured prisoner, you have to get him just as he is captured. The expression he wears then is lost forever... The human mechanism is remarkably recuperative. A half hour later, the expressions are gone, the faces have changed. The mother with the dead baby in her arms does not look griefstruck anymore, no matter what she feels.
To act out something or take chances in the performance is one thing. But in terms of a camera, whatever's captured is captured so that's a little more daunting. You know you can't go back next week and fix it. Whereas in a live audience you know it's so in the moment and you just go with what's happening. First of all you never have to see it again so you don't know if you were really fulfilling it or not.
I think being attracted to mistakes is one of the things that film can capture in a way that theater can't. Film can capture a moment of spontaneous life that will never be captured again.
Oh if life were made of moments Even now and then a bad one--! But if life were only moments, Then you'd never know you had one.
I know half the money I spend on advertising is wasted, but I can never find out which half.
Even 'Piku' was quite an experiment in terms of storytelling because on the surface nothing happens in the film. If you ask me what was the film about, it was about father-daughter fighting and the narrative captured their daily life.
In the film world, and I know this from just talking to other people, that I'm known as a kind of dramatic, serious, almost humorless actor, and the fact is I'm a funny guy, and I spend most of my life trying to find a lighter side of things and on stage was given plenty of opportunity to do that.
You're always just trying to make your film, tell the story you're trying to tell - best you can, you know.
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