A Quote by Roy Jones Jr.
I got some real rough dental work done not long ago, and my mouth's still numb right here [points to the left side of his chin]. So it kind of messes with my speech a little bit, so don't y'all think that I took too many cos I haven't.
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I don't really know too many designers. I like a lot of what Kanye West has done with Yeezy, but I think it's a bit too, how you say, elevated; it's a little bit too special. Like he's trying to make something that's kind of a little bit too cool sometimes.
The take-home message is that we should blame religion itself, not religious extremism - as though that were some kind of terrible perversion of real, decent religion. Voltaire got it right long ago: 'Those who can make you believe absurdities can make you commit atrocities.' So did Bertrand Russell: 'Many people would sooner die than think. In fact they do.
I feel like I've got so much to do, from a music perspective. Jamie's done his record and traveled around the world with it. Romy did all those writing sessions. I would love to do what Romy's done and experience that other side of the pop machine. It sounds terrifying and, at times, a little bit soulless. That's a real pet peeve of mine, when people talk about songwriting in a cynical way. But having said that I still want to do it, just to know what it's like.
If you work in the city long enough, it begins to deal with you on a personal level. Streets reveal their moods. Sometimes the signal light loves you. Sometimes they fight you. When you're hunting for a new building, you hope the city is on your side. You have to use a little bit of thinking--you might call it the process of elimination--and you need a little bit of instinct, but not too much of either. If you think too hard, you overshoot your target and end up at the Pier or the Tenderloin. If you relax and let the city help, the destination does all the work for you.
I think on 'ER,' my other long-running show, I had some ideas about what's going on. 'Stargate Universe,' they were kind of secretive too a little bit about what they wanted to do, but I kind of liked working this way. I like the surprises, and I like knowing just enough to work on the character.
I believe there is a limit beyond which free speech cannot go, but it's a limit that's very seldom mentioned. It's the point where free speech begins to collide with the right to privacy. I don't think there are any other conditions to free speech. I've got a right to say and believe anything I please, but I haven't got a right to press it on anybody else. .... Nobody's got a right to be a nuisance to his neighbors.
Teasingly she took the apple from his mouth. Juice ran down his chin. Slowly, deliberately, she leaned over and licked the sweet juice from his chin. I will have to admit though, that I will never look at an apple in quite the same way.
Akri done left his Simi on his arm for far too long. She done got tired and cranky. (Simi)
With my tattoos, I've got my war side on my left side, being left handed, and a faith side on my right side, right with God.
There's a song called 'My Faith' that's kind of my spiritual song on my record. It's a little bit of my softer side of me, comin' out of left field a little bit.
Morale is a little bit dimmed, is a bit affected by the redundancy program. That program had been planned for quite some time, and when I took over it was really left to me to make the final decision and it clearly was the right thing to do for the business.
But work that's got real substance does make people feel, "There's someone else out there who relates to my experience, or who just helped me understand my own experience a little bit better." And I think that's still got enormous value.
He'd been numb a long time, years. All his nights down Ninsei, his nights with Linda, numb in bed and numb at the cold sweating center of every drug deal. But now he'd found this warm thing, this chip of murder. Meat, some part of him said. It's the meat talking, ignore it.
I'll never lose my roots. I think I'm too close to my family for that. I still make my trip back to Nebraska every year, and I still love going back to Texas where I grew up, as well. I've just kind of had to mature a little bit more and get used to a little bit different style of life.
Not too many people present a good ground game from the bottom. They survive a little bit, and it's kind of boring. But not too many people are attacking from the bottom, hurting with elbows. They don't bring that kind of game because it takes a long time to develop.
The way I work, and the material we work with, I think if you analyze too much and have too many specific ideas, it just becomes a little bit too superficial, and then performances might become too self-conscious and project relatively narrow things.
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