A Quote by Roy Lichtenstein
The U.S. museums weren't looking at my paintings at all - they hated them, irredeemably. People metaphorically threw up when they saw my work! They thought I was enlarging comics, or just copying them.
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I've seen many female comics that a lot of people haven't heard of who are so funny, and I saw them come up, and they were working so hard, and then all of a sudden they had a baby, and they just got tied up in motherhood, and eventually, they kind of just stopped doing stand-up, and I thought it was such a shame.
I like collecting comics, I like buying comics, I like looking at comics, but I also read comics on digital readers, so any way people read comics is fine with me. Digital is just helping people who might not necessarily have access to comics help them; that's great.
People just sticking names on places, so that no one could see those places properly any more. Every time they looked at them or thought about them the the first thing they saw was a huge big sign saying 'Housing Commission' or 'private school' or 'church' or 'mosque' or 'synagogue'. They stopped looking once they saw those signs.
I absorbed as many Impressionist paintings as I could, in Parisian museums and in many museums in the United States and in books, looking for clues to architecture, clothing, settings.
Take the birds which you'll have noticed in so many of my recent paintings. I never thought them up, they just materialized of their own accord; they were born on the canvas... it is absurd to read any sort of symbolic significance into them.
These natives are a very good people; for when they saw that I would not remain, they supposed that I was afraid of their bows; and, taking their arrows, the broke them in pieces and threw them into the fire.
In an odd way, my parents were proud of me. When they saw me do stand-up, I'd see them looking around the room and watch them taking in the people laughing. On some level, that comforted them.
I threw a lot more curveballs in college and the minor leagues. Up here, they're looking for that pitch. A curveball is more recognizable out of the hand than a fastball or changeup. They're taking them or hitting the mistakes I make with them. I don't want it to be so recognizable. I'll have to work with that because that was my pitch.
They are the hate group. The Democrat Party, that's their fuel. That's what energizes them is their hate. And for them to sit here and act like they're the most compassionate and tolerant and peaceful and understanding is just a bunch of hogwash. The American people that voted for Donald Trump are hated. The Republican Party is hated. The alternative conservative media is hated.
I'm painting the paintings that I want to see in museums. And I'm hopefully presenting them in a way that's universal enough that they become representative of something different than just a black body on a canvas.
I just loved stand-up comics as a kid. I'd watch them on 'The Tonight Show,' and I thought what a great craft it was to come out on stage with no instrument or anything and be able to entertain people.
I always wanted to give people the more exciting version of what I think a comedian should be - because I didn't grow up with comics, I grew up with rock 'n' roll. And when I saw a lot of comics, no matter how good they might have been material-wise, I would get a little bored with them after 10 minutes, only because I feel comedians don't really know performance.
I don't care how people read their comics, I want them to read comics. I don't care if they read them on an iPad or a phone or in store, I just want them to read comics.
I want you teabaggers out there to understand one thing: while you idolize the Founding Fathers and dress up like them, and smell like them, I think it's pretty clear that the Founding Fathers would have hated your guts. And what's more, you would've hated them. They were everything you despise. They studied science, read Plato, hung out in Paris and thought the Bible was mostly bulls**t.
I'm not proud of having been married -I've had five affairs, all of them real wingdings. I've enjoyed every goddamned minute of them, but sooner or later I've outgrown every one of them, and when I did I got fed up and threw them out. If they can't keep up with me, the hell with them.
At the Sahara, the seats are banked and most of the audience is looking down at the stage. Everybody in the business knows: Up for singers, down for comics. The people want to idealize a singer. They want to feel superior to a comic. You're trying to make them laugh. They can't laugh at someone they're looking up to.
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