A Quote by Rockline Venkatesh

You cannot expect anymore single-screen theaters to open as one doesn't get enough returns from them. We have to target multiplexes and look at attracting 1,000-plus audiences for each show.
I wish, to be honest with you, for African American films that we could get a few more theaters. They only open them in 1500 to 2000 for an opening weekend, and how do you expect us to compete. How can we go to certain box office levels if they don't give us more theaters?
The only way to ensure a film is going to sell is put Will Smith in it and you open it in 3,000 theaters and make sure we have all the top promotional spots in each venue.
I think Raju Hirani and Farah Khan are the only two filmmakers who can balance the multiplex audiences and the single-screen audiences.
The shows need youth. All of our comics are getting too famous to do the show regularly. The people who are regulars five years ago, a lot of them have moved on and can't do the show anymore. We can't really get Jim Gaffigan anymore, we can't get Nick Swardson anymore.
Each moment brings new surprises to the one who has no expectations, who comes with an absolutely open mind. Then incredible things start happening. Even if you had wanted them you could not have expected them; you could not have found yourself worthy enough to expect them.
I'd rather have fewer spectacular theaters than tons of cheap little multiplexes.
When I started making films, all the theaters, the screen would slide open the widest possible point, and that would be widescreen. But now, theaters are geared up for around 16:9, so scope is now 'letterboxed.' In a way, if you want the big picture, you shoot 16:9.
Currently there's no other way to get a movie into 3,000 theaters except with a studio. We have a first-look deal with Universal, and it's been fun to work with them. But studios are a part of our life. I think they'll always be, but they'll play a different role. The consumer and the creator are getting closer together.
My lifestyle, my life, everything has changed because of this show. Has it made me look different? Yes, it's changed everything for me, everything from this show. And I cannot thank every single part of 'Sons of Anarchy' enough.
My work sells for £10,000-plus, but my most lucrative piece was a private project that was sold for more than six figures -dollars, that is. The process of the Lego can take weeks, months, or even days. Each one I deliver to specification to each gallery because they want them brought to them fully formed.
Each day is born with a sunrise and ends in a sunset, the same way we open our eyes to see the light, and close them to hear the dark. You have no control over how your story begins or ends. But by now, you should know that all things have an ending. Every spark returns to darkness. Every sound returns to silence. Every flower returns to sleep with the earth. The journey of the sun and moon is predictable. But yours, is your ultimate ART.
Participant (Productions) is the only production company in town that has a double bottom line: social good plus financial returns. It's too early to tell how our returns are going to look - though all signs are promising - but social good is what we're really after.
There are 100,000 actors in the Screen Actors Guild. Only 2,000 of them make more than $75,000 a year.
My new passion is to get Internet education mandated in all schools. We've got to start teaching our kids how to be safe in the 40,000 plus chat rooms that are out there. Because they're being had. These sexual predators groom the kids. I know, I've arrested enough of them.
Many theaters are tackling the multifaceted work of black writers - established and emerging. Now the next step is for them to bring in audiences of color and continue to go out to our community and create a continuous connection that extends beyond the one black show in the season.
When I have 7,000 people plus at Red Rock just for a show of mine, I think it's wonderful to get that many people to come see you.
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