A Quote by Rollo May
All our feelings, like the artist's paints and brush, are ways of communicating and sharing something meaningful from us to the world.
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An important part of dating is communicating. We communicate by sharing our thoughts, ideas, and feelings. We enjoy being with someone when we have an easy time communicating or when we have a lot to talk about.
Some people create with words or with music or with a brush and paints. I like to make something beautiful when I run
Most of us are never educated about feelings. Instead, we're expected to learn socially acceptable ways to deal with feelings by watching the people around us. But the truth is, many people don't role model healthy ways to deal with feelings.
The tools are real. The viewer is real, you, the artist, is real and a part of everything you paint. You connect yourself to the viewer by sharing something that is inside of you that connects with something inside of him. All you have as your guide is that you know what moves you. All you have to do it with is a brush, some chemical and canvas, and technique.
Some people create with words or with music or with a brush and paints. I like to make something beautiful when I run. I like to make people stop and say, 'I've never seen anyone run like that before.' It's more than just a race, it's a style. It's doing something better than anyone else. It's being creative.
Daumier paints with an enormous capacity for absolute empathy; a complete identification of himself with the figures he paints. He sets forth what it feels like to do something; not what somebody looks like doing it.
To me, the job of the artist is to provide a useful and intelligent vocabulary for the world to be able to articulate feelings they experience everyday, and otherwise wouldn't have the means to express in a meaningful and useful way.
If we view a great mountain soaring into the sky, it may excite us, evoke an uplifted feeling within us. There is an interplay of something we see outside of us with our inner response. The artist takes that response and its feelings and shapes it on canvas with paint so that when finished it contains the experience.
If the man who paints only the tree, or flower, or other surface he sees before him were an artist, the king of artists would be the photographer. It is for the artist to do something beyond this.
At the heart of all photography is an urge to express our deepest personal feelings - to reveal our inner, hidden selves, to unlock the artist. Those of us who become photographers are never satisfied with just looking at someone else's expression of something that is dear to us. We must produce our own images, instead of buying postcards and photo books. We seek to make our own statements of individuality.
The artist who paints the emotions creates an enclosed world... the picture... which, like a book, has the same interest no matter where it happens to be. Such an artist, we may imagine, spends a great deal of time doing nothing but looking, both around him and inside him.
Having a great golf swing helps under pressure, but golf is a game about scoring. It's like an artist who can get a two-inch brush at Wal-Mart for 20 cents or a fine camel-hair brush from an art store for 20 dollars. The brush doesn't matter - how the finished painting looks is what matters.
Every artist dips his brush in his own soul, and paints his own nature into his pictures.
The institutions of human society treat us as parts of a machine. They assign us ranks and place considerable pressure upon us to fulfill defined roles. We need something to help us restore our lost and distorted humanity. Each of us has feelings that have been suppressed and have built up inside. There is a voiceless cry resting in the depths of our souls, waiting for expression. Art gives the soul's feelings voice and form.
Dreaming is the day job of novelists, but sharing our dreams is a still more important task for us. We cannot be novelists without this sense of sharing something.
Rhetoric paints with a broad brush.
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