A Quote by Romeo Santos

There's a misconception in my opinion... and it's that we Latinos have to go do an American album, an English album, an Anglo production, to cross over. — © Romeo Santos
There's a misconception in my opinion... and it's that we Latinos have to go do an American album, an English album, an Anglo production, to cross over.
Our third album, 'Grown.' On that album, some of us had the opportunity to have hands-on experience into songwriting and production. The project itself taught the members how to create an album ourselves while grabbing guidance from the producers we worked with.
With this new album, I prepared for it a long time, and I was happy with the songs and the production. I felt that I proved myself with the first album, and with this new album, I just want to share some of my music. And that was always my feeling and my intention.
I love playing Rick Ross' 'Port of Miami' album. Jeezy's 'Thug Motivation 101' is a classic in my opinion, and I still listen to that album to this day. I'm a big fan of OutKast, so pretty much any album they put out is great in my opinion, but I find myself listening to 'Aquemini' a lot. Anything Kendrick Lamar does is great.
We had a nightmare on our first album, and went through two producers. I decided, on the second album, to take the money that we were supposed to use for pre-production, and we went into a studio and cut the album with no producer. We finished the whole thing without telling the record company.
It's largely a misconception that Tame Impala is a band. We play as a band on stage, but it's really not how it is at all on the album. The album is just me.
Production-wise, 'Looks Like a Job For... ' is an incredible album. I think that the weak point of the album was really me.
I thought I'd go away and make one album, but it was extended. The album did so well, and they wanted another album. I was on a high. You make hay while the sun shines, and I was doing it, and you think about yourself; that's what you do.
I think most bands probably peak on their first album. We peaked on our third album. On the first album, I feel like I wish the production was a little better. I'll always hear a song I don't like. I look for what I could have done to make it better. It's always difficult for me to listen.
I'm gonna stay an album guy. In fact, concept albums are really blowing my mind right now, because if you want to promote an album, think about it - a concept album might be the way to go.
'The White Album' is so cool because it was around the time when the Beatles started to not like each other, so they would each go off and do their own thing. It's all over the place, but that's what makes the album so brilliant.
We had to create an album where there wasn't one. I never listen to that album [ Music From the Edge of Heaven] because it wasn't an album.
I always loved bands who would try to change their sound radically album to album, experiment in one album and revert back in another.
I met Quincy [Jones], he had heard my album, someone played the album and he flipped over it.
'Captain Fantastic' was the first album in history to enter the (American) album chart at number one. We did it for a second time after that. Now that's not a boast, that's frightening.
What can you think when one review says "this album is brilliant, and all the songs flow into the utmost brilliant song 'The Upside-Down Cross'" then another review says "this album is brilliant, except for that horrible and pointless song 'The Upside-Down Cross'," and another review will say "Jeffrey really sounds confident and relaxed on this new album", the next reviewer says "Jeffrey sounds more depressed and awful than ever" - these totally contrasting reviews happen all the time!
I had no album title, and the album is like a journey in that it's a complete body of work. It's not just a couple of catchy songs and filler, so I felt that I needed to capture the essence of the album.
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