A Quote by Ron Eldard

I'll just say it: I love Sundance; my very first film won Sundance. — © Ron Eldard
I'll just say it: I love Sundance; my very first film won Sundance.
Sundance is going to be a defining moment in my life. But the unfortunate thing about Sundance is, when you have a film there, you can't have the opportunity to see other films.
The first time I ever intersected with the quote unquote industry or Hollywood or being given a paid job as a director all came because of the reputation I got coming out of Sundance as a veteran Sundance filmmaker.
I just really feel so grateful to Sundance because I've always been an artist and I've never been able to make a living at being an artist until Sundance.
I'm about to go to Sundance for my 3rd year, and Sundance has never felt like a real independent festival at all. On the other hand, it might to start feel that way.
My first film festival and my first film that I've ever been in, 'Martha Marcy May Marlene,' that was at Sundance.
David Michôd changed my life, quite literally, along with the chaps at Sony Pictures Classics. That's what set me on my way. I thought we did good work and had a good film, but when it was so praised at Sundance that year that's what really started the ball rolling. We all paid our own way to Sundance.
Sundance claimed to be "rebellious" on all of their programs, but they are not. Most of the movies at Sundance were multi-million dollar pictures that were already guaranteed a theatrical release.
Sundance took me on my first film and from there sort of launched my career.
What's so great about Sundance is that they only accept such a small handful of films per year for dramatic competition, so you know when you're going to Sundance that you're going to see top-quality projects.
The only Sundance [2011] film about cults that could actually have life as a cult film, THE WOODS has the greatest comic insight into why our current culture might inspire a search for meaning in the first place.
You show a movie to your friends when you're working on it, but you don't have any real objectivity. You just don't know. So that moment when it's shown for the very first time at Sundance, it's just terrifying. I'm so anxious. And then every screening is different.
That's interesting to hear you say that because watching it [the Waitress] for the first time at Sundance was fascinating - it was so different from the experience of making it.
I saw 'Birth' at the Sundance Film Festival with a thousand other strangers, and I couldn't believe that was me in the film. I didn't recognize myself.
I can't wake up every day and not thank Sundance. They're a great beacon of light for any independent film. Just to have a film that you made shown on a screen for an audience in a theater is beyond me, so I owe them everything in the world.
[Hunt for the Wilderpeople] people seem to be just finding it hilarious in Sundance. I would think that judging on the feedback I get; it's a very warming film. It's not sentimental, but people are sort of heart warmed by a message that's pretty rare.
I had to live on $17,000 a year until I was 33, because I was a failed artist until I was 29, when I made my first short film that went to Sundance.
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