A Quote by Ronda Rousey
I had a lot of trouble speaking as a kid. I didn't really speak in coherent sentences until I was, like, 6 years old. There was a long time where everybody was very worried, because my sisters were so advanced for their age, and I would barely talk.
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It seemed from the media that we were being told that all Haitians had AIDS. At the time, I had just come from Haiti. I was twelve years old, and the building I was living in had primarily Haitians. A lot of people got fired from their jobs. At school, sometimes in gym class, we'd be separated because teachers were worried about what would happen if we bled. So there was really this intense discrimination.
I began to speak well at a very advanced age - 15, 16, 17 years old. It was psychological: the trauma of war, my family and growing up on my own. I was more or less a street kid.
Everybody's constantly growing. In your twenties, you can learn a lot, and you can be very smart and clever and savvy. Especially these kids today. They seem like they have it all together. But let's talk to them again when they're 40 years old and see really who they are. Is it who they thought they were at 25?
My parents separated before I was 1 year old. I moved in with my aunt and uncle when I was in fourth grade. I was, like, 8 or 9 years old. I was getting in a lot of trouble when I was in Southern California. My older sisters were in gangs. My older brother was in gangs.
I stood in the bay window at our house and I sang Away In A Manger. It was my first time on stage, but there was nobody watching. I just remember it was so natural and it was such a secret - like masturbating. I felt like I had to wait until everybody was gone. So I guess six years old would be my most important age, 'cause in that moment, I just knew what I wanted to do.
'How the West was Won' was very hard, because it was a three cameras technique, meaning three cameras wide. Therefore I wasn't speaking to my fellow performer, I was speaking to a camera, or a line next to the camera. It was difficult to do, because its not real acting. I had to pretend that I was 'seeing' Agnes Moorhead or Jimmy Stewart or Carroll Baker. I wasn't, I was acting to a drawn line. It took me personally two years to make the film, because my character starts at age 16 and I end up being 92 years old in the film. By the end of that production, I was ready for a long nap.
There,” she said triumphantly. “Like that.” He began to wonder if they were speaking the same language. “Like what?” “That! What you just said.” He crossed his arms. It seemed the only acceptable reply. If she couldn’t speak in complete sentences, he saw no reason why he had to speak at all.
I always managed to get in trouble, like every kid. But I had to learn a lot of hard lessons on my own, without parents who would nurture me and guard me through that part of life, at a very young age.
Looking good kept me out of trouble. When I worked for Michael Alig, everybody was overdoing partying. It would take me so long to get ready, because I was never one of those girls that were naturally the cover of Vogue. I had to really work hard to look nice. I would take hours and hours to get ready. If you have high heels on, if you're dressed nice, you really can't be drunk or sloppy because it's dangerous. It's part of being a lady, so it really kept me out of trouble.
I got a part opposite Edward G. Robinson in a play called Middle of The Night, which Paddy Cheyafsky had written. It played for a long time because everybody just loved Edward G. Robinson, everybody in New York wanted to see it. John and I were married at the time and put into a position where I was working very long evening hours and he was working in the daytime and so there was a lot of spare time.
There was a loneliness because kids my age had video games, tennis. They traveled. They had beautiful clothes. I was wearing my sisters' old clothes that were adjusted on me, because we didn't have money to buy clothes. So that really made me go deep inside on my heart, because the only things I could have with me were my heart and my brain.
I look old. To be honest, up until two or three years ago, my age put a lot of restrictions on me. I was told, 'You look like you're in your mid- to late-twenties, but you're actually too young.' There were a lot of restrictions like that when it came to casting. I even requested that they remove my age on my public profile.
I was the sensitive, shy kid that was teased a lot. I was very definitely bullied. I mean, from an early age, I dressed more like an adult, you know, jackets and very slim trousers and a raincoat. And I - even when I was 7, 8, 9-years-old, carried an attache case to school because I just hated the sloppiness of a book bag.
You can never predict what the specific shape of your life is going to be, and you won't really know its general shape until, God willing, you're advanced in years and you have the time and opportunity to look back in a coherent way and see what your life was about.
I've been a Yankees fan for a long time. When I was a kid in the mid-'70s, the Yankees were really great. They had Reggie Jackson in '77. I was 8 years old at the time. He hit three home runs to win the World Series in game six against the Dodgers, and I was just hooked.
I was a very lucky child because at the age of 16, 17 years old, my parents would buy me clothes from Yves Saint Laurent, which was an incredible luxury at the time, but I was attracted to that whole world. I had a pretty nice little wardrobe by the age of 17.
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