A Quote by Ronnie Corbett

David Frost plucked me from the nightclubs. — © Ronnie Corbett
David Frost plucked me from the nightclubs.
Frost was no match for Nixon - far from being an intrepid and challenging interviewer, he was a pushover for the great and the famous, always deeply impressed with the fact that here he was, David Frost, putting questions to - Richard Nixon!
Me, I always wanted frost power.” “Frost power?” “Yeah.” Seth gestured dramatically toward my coffee table. “If we’re talking superhero abilities. If I had frost power, I could wave my hand, and suddenly that whole thing would be covered in ice.” “Not frost?” “Same difference.” “How would frost and/or ice power help you fight crime?” “Well, I don’t know that it would. But it’d be cool.
I'm going to be the next David Frost.
I love David Bowie and Cher and Diana Ross. I wanted to follow in their footsteps. So I set out to do that in a rock-'n'-roll band in Atlanta, Georgia. That led me to nightclubs and to the sort of Andy Warhol experience of creating a personality.
There is something fantastically post-modern about David Frost.
David Lynch plucked me from obscurity. He cast me as the lead in 'Dune' and 'Blue Velvet,' and people have seen me as this boy-next-door-cooking-up-something-weird-in-the-basement ever since. I was 23 when I first met him, in his bungalow on the Universal lot, and could never have predicted we would have such an enduring relationship.
I am the King of Frost Giants. And if you've seen any of the Frost Giants, you know that I am, of course, the Napoleon of Frost Giants. We've got some massive, fabulous guys who dwarf me and come in at around eight-and-a-half feet, nine feet. But, no. Can't you tell by the commanding presence? I am the boss.
You wouldn't want me to play Frost in a wheelchair, would you? 'Frost' is getting a little long in the tooth. I still enjoy doing it, and it's a great part, but I just think he's got to retire.
[David Lean's] images stay with me forever. But what makes them memorable isn't necessarily their beauty. That's just good photography. It's the emotion behind those images that's meant the most to me over the years. It's the way David Lean can put feeling on film. The way he shows a whole landscape of the spirit. For me, that's the real geography of David Lean country. And that's why, in a David Lean movie, there's no such thing as an empty landscape.
If hotels are replacing nightclubs, then they're replacing nightclubs for yuppies.
We, America, elected Trump. Putin didn't do it, nor the trolls in St. Petersburg with their zillions of busy bots. They may well have plucked certain strings in the national psyche - played us like a dimestore ukulele - but we were keen to be plucked.
The third day comes a frost, a killing frost.
Nixon knew exactly what he wanted to accomplish in his four interviews with David Frost, quite apart from having his agent Irving Paul Lazar negotiate a terrific deal for him, with cash up front.
Nightclubs are the equivalent of a Catholic Church in a poor country. You hear a lot of stuff about churches filled with gold while the people are starving. But what elitists don't get is that for poor people, the church is their own mansion. Nightclubs fill the same function.
I felt him there with me. The real David. My David. David, you are still here. Alive. Alive in me.Alive in the galaxy.Alive in the stars.Alive in the sky.Alive in the sea.Alive in the palm trees.Alive in feathers.Alive in birds.Alive in the mountains.Alive in the coyotes.Alive in books.Alive in sound.Alive in mom.Alive in dad.Alive in Bobby.Alive in me.Alive in soil.Alive in branches.Alive in fossils.Alive in tongues.Alive in eyes.Alive in cries.Alive in bodies.Alive in past, present and future. Alive forever.
I believe in Father Frost. But not too deeply. But anyway, you know, I'm not one of those people who are able to tell the kids that Father Frost does not exist.
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