A Quote by Rose Byrne
The roles for women on television have historically always been stronger and that, I would say, is still true. The question is commerce. That's probably where there's a block for a lot of people, the commerce behind it. Where is the audience? And it's so clear to me that there is a huge audience for female-driven projects. People still seem to think it's a fluke when it happens. That's one of the hurdles that's still left to be jumped over.
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Even if I'm doing a show and there's five people in the audience and the sound system is terrible - I mean, it's been a while but I've certainly done those kind of shows where it's just every conceivable thing is against you - you still have music. It's still something that's real whether there's five people in the audience or a hundred thousand people in the audience. And that's always been there for me.
I've been very lucky to have been chosen for and to have chosen roles that are good. Some are better than others and some projects are better than others, whether it's female or male characters. There's still more that we can do and there's still more stories to be told. I would love to see more female-driven projects in general.
When you're still in the broadcast business, you're still trying to reach tens of millions. You're trying to still aim for a broader audience, and I think that's a more difficult task to spread yourself across that audience, connect with them, as opposed to a very, very small, pinpointed audience. Difficult to do.
There still aren't enough[ roles for women of color]. And I'd say that's the case, not only for African-American women, but for all women in the Hollywood game. It's just slim pickings, and a very challenging time for us. I think that's why more of us need to work our way behind the camera in order to create roles that really illuminate who women are. We still have room for growth in that area, without a doubt.
You look at the tremendous success of Facebook. To my mind there is not a lot of commerce going on in these social networking sites. eBay is a community anchored in commerce. It is a commerce site that built a community around it. What has not been proven is if the reverse can happen and people will go to community sites to do commerce.
If you just look at the number of roles for women versus the number of roles for men in any given film, there are always far more roles for men. That's always been true. When I went to college, I went to Julliard. At that time - and I don't know if this is still true - they always selected fewer women than men for the program, because there were so few roles for women in plays. That was sort of acknowledgment for me of the fact that writers write more roles for men than they do for women.
I think, as e-commerce grows as a category, most e-commerce companies are focused on women because they are the decision makers and the consumers. When you think of e-commerce, and fashion is a big part of that, women are much more in tune with what other women are looking for online.
In television, we are still catering to the middle class audience, I would not say regressive, but rooted in traditions. They still have babujis and dhoti-kurta clad characters. But in films the maas and babujis don't exist anymore.
Any time you can create something that gets to a large audience is fantastic. And television still gets you to a huge audience.
My audience is a diehard audience. They are dedicated. My audience always follows me and sticks with me. They're the reason I'm still here - in the films and in stand-ups.
I think there are people that still hold on that like Heavy Metal like a bit of what is going on now, but it isn't all of what they love and which goes on and it's the same with me... There's still a lot of Ray Charles, Sam Cooke songs that I still happen to like a lot, but then there are a lot of Madonna and... a lot of the female singers that I like as well, but it's like liking it with different emotions, you know.
From what I see, nowadays punk and anarchy are still connected with "fast loud music by smelly drunk chaos-people" and, yes, I know I'm over-generalizing here. So when the occasional venue still describes us The ex as "anarchopunk" that's a real bummer, since it attracts an audience that expects a kind of music - which we don't play - and it keeps away another audience that actually might have liked it when they would have come. That's a pity, for both them and us.
My dad never quit no matter what. He couldn't see, but he never let that stop him. Most people, when something like that happens, they just think their life is over. But that's not true. My dad can still do things like a normal person. He still cooks; he still watches my sister and my brother's baby when my mom's not home.
Though women may appear equal in some ways, and though we definitely have accomplished a lot, the fact is one in one women will still experience sexual violence at some point in their lives; a mere 17 percent of the U.S. Senate is female; women still only make 77 cents for every man's dollar - and that's not even taking into consideration global issues like sex trafficking or honor killings. We still need feminism, it's just not as easy for people - especially people in an incredibly privileged country like America - to always see that.
I'm still a fanboy geek. I always will be. In many ways, if my work still resonates with the audience, it's because I'm still writing from the point of view of the fan, so I'm geeked out constantly.
Ratings experts say the best way to get people to watch during sweeps is to leave the audience with a question that won't be answered until the next time the show is on. You know, like Who shot J.R.? I like to think I do this every night - the question is, Is this show still on?
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