A Quote by Rose McIver
Sometimes I can inhabit a feisty, vicious character. Sometimes I can inhabit a painfully shy British girl, or whatever it might be. I'm able to step into these other parts of myself. I feel like, as long as I keep doing that in my career, and I keep tapping into different parts of the human condition, that's all I ask for.
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The reason I feel like I act is because you get to live a million different lives in one. I don't have to go about my life, just being easy-going New Zealander Rose. Sometimes I can inhabit a feisty, vicious character. Sometimes I can inhabit a painfully shy British girl, or whatever it might be.
In real life I'm shy sometimes, sometimes I'm romantic, sometimes I can be funny, so it's great to be doing different kinds of parts that expose your personality.
Most actors try to do as many different things as possible. I like the encouragement I get from doing new things. I like to feel scared or challenged in the hope that I can pull it off. That little bit of fear creates an energy that I can channel into the performance. And you have to keep tapping new parts of yourself, keep working or you never improve. The only way to improve is to set yourself harder goals.
What I feel personally and what I can act are two different things. Maybe one of the great pleasures of my job is being able to inhabit worlds that you are never going to inhabit personally.
If I can keep losing myself - and finding parts of myself - in other people's writing and direction, then that's all I can really ask for. That's all I want, to keep losing myself.
The key is you have to keep doing the right thing. Do the right thing and stay around long enough, and you'll keep getting parts. And if you don't, you write your own parts, which I'm lucky to do. It's like anything else: you get hot, you get cold, then you get hot again. You just keep working.
There are not very many opportunities for little people in the industry. There are small parts and character parts, but we don't get the girl-at-the-end-of-the-film kind of parts... but I was quite happy with what I was doing.
There's a difference in how I feel when I'm travelling and when I'm sitting still. I've been doing it for such a long time it has become a part of my life. It gets a bit hectic depending on where I am, you know, like there's different parts of the world that's more stimulating than other parts.
I feel like within each of us is a million different people that we could reveal and that we can be sometimes... And for me, the process of acting isn't so much about finding the person outside of myself and mimicking them but, rather, releasing parts of myself and adding them to the character.
I like to keep things moving; when I say moving, I mean different. I like to keep things changing in my life all the time, so sometimes it might be drama; sometimes it might be drama. At some point, I might get the chance to do something musical.
I've always strived to keep mixing it up, keep doing different things, and work in all different parts of our business.
The other thing - and writers can say whatever they want - is casting. You need to find a person who can inhabit that role, who can not sugarcoat the bad stuff, and not be too hard on the good stuff, but who can come across as a three-dimensional human being with some depth and some thought about what they're doing. When you find James Gandolfini or Jon Hamm, someone who can inhabit this role but still has a natural humanity to them, no matter what they're doing? It's a gift.
I show up and try, but I may have to ask myself if I need to wait and let myself regenerate and take a break. I know that this thing that makes the stories has to be treated gently. So sometimes I'll just stop and let the well fill up. With my work, sometimes I hate doing it, but I love having done it. The key is to keep doing it.
People ask, 'Why would you cast yourself in your movie?' And, for me, it's more like an achievement that I am now not playing all the parts, you know? Like I was for so long, in all my performances and a lot of my short movies. So, that's where I'm coming from, not out of a kind of actress-y sense of myself. I mean, I don't really see myself as an actress, but more from performance: this is how you make something. You do it yourself. You're in it and you write it. I think I keep doing it that way, 'cause it's my way. It's what makes me feel like I know how to do it.
As long as they keep offering me some good parts and so forth - there are some parts out there that fit me pretty well - I'll keep going for a while.
You want to make a little money, and sometimes you want to play some really great parts. Sometimes they don't always coincide, or co-exist. Sometimes you've got to do good parts for no money and... You know, I sometimes can't do movies just for the money. I really can't. I mean, I've tried. Believe me, I'd love to just take the money and run. That might just be part of the equation, but there has to be something there. You have to be somewhat creatively satisfied.
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