A Quote by Roisin Murphy

'Take Her Up to Monto' is a very satirical song. I don't really like people calling it a folk song because it kind of isn't. It's a bit cheeky calling it 'Take Her Up to Monto,' but the whole idea was to be very irreverent.
If they were siblings, 'Hairless Toys' would be the nice child, and 'Take Her Up to Monto' is more of a problem child.
The sound of 'Take Her Up to Monto' and 'Hairless Toys' is the sound of me and the producer in the studio doing whatever we like. There is no reference. It's too easy to be referential now; I'm trying to find something else.
My da used to sing 'Take Her Up to Monto' to me when we were walking down the street - he still does, actually - because it's got a walking tempo, and I still sing it to myself when I'm walking along.
I lost my daughter at 21. I had to give her up because I was broke, no place to take her, no money to take her. That was very traumatic.
What was it up there in the song that seemed to be calling her back inside? What would happen now in the dim, incalculable hours?
If you go back to 'Pretty Fly,' it was a very popish song, but there was a satirical side to it, and I think that's cool. I like the idea that it's making people think just a little bit.
The woman who accepts the limitations of womanhood finds in those very limitations her gifts, her special calling which bears her up into perfect freedom, into the will of God.
I am a firm believer in playing the type of music that compliments the song the best. If it's a folk song make it sound like one. If it's a rock song make it sound like one, if it's a rap song take it off the record.
One of my favorite things as an engineer is watching a band get comfortable in the studio and getting a great take. Like, they're playing the song, warming up, and then suddenly, the communication really happens and everybody's really in the song, and they nail it, and then that's the take.
There's a passion about this because people take it very close to their hearts and they have grown up with James Bond - and so have I. But I was being criticized before I had presented anything, so it was name calling.
During the song 'Chai Mein Chini' Sridevi had to keep her Chinese make-up on for hours. It was very painful since her eyes had been narrowed and there were pins all over her head, but she kept the make-up on without any complaint.
I find that I end up liking songs if I really have an idea of something I wat to write about-some problem in my life or something I want to work through; if I don't have something like that at the root of the song, then I think I end up not caring about it as much. I gravitate towards some kind of concept or idea or situation that I want to write about. Very often I have to write, rewrite and come at it from an opposite angle...and I end up writing the opposite song that I thought I was going to write.
I was supposed to go out with this girl, but the plans mixed up because I was working late. So I went to her apartment with a flower. She was asleep, but I really wanted to see her. I figured I'd be like Romeo, and climbed up to her balcony and gave her a rose. She was very shocked. After that, it was over.
It's just so obscure to take a folk song in a different language and be a pretty well-respected English-speaking rock band and totally take a song and twist it around and have fun with it.
A song stylist is, like, to take an old folk song like "Delia's Gone" and do a modern white man's version of it.
When God calls you to something, He is not always calling you to succeed, He’s calling you to obey! The success of the calling is up to Him;the obedience is up to you.
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