A Quote by Roisin Murphy

A year before I met Mark Brydon - he was the one I used to make all the music with in Moloko - I was living in Sheffield with a guy who was studying architecture. I used to go to his college and crash the lectures there. I had enrolled to do a fine art course, but then I met Mark, and we signed a record deal instead.
In my second year of Harvard Divinity School, where I was studying to be a minister like my father, I met a guy named Robert Cox, who had been the editor of the Buenos Aires Herald during the Dirty War in Argentina. Bob used to print the names of those who had been disappeared the day before, above the fold in his newspaper. It was a kind of an awakening to me to see what great journalism can and should do.
I counterfeited Mark Kostabi's artworks. During the eighties, Mark didn't paint his own paintings. Instead, he had other artists painting them, and he just added his signature. So what I did was to use some of the same painters, and signed his name myself.
Mark [Duplass] is the same person that I met on day one. He's a very smart, savvy, creative guy. If you ever want a champion on your side, it's Mark.
I used to be a record collector. Mark Ronson, Questlove and I used to be part of, like, a record-trading crew.
I would say the difference between 'old Mark' and post-stroke Mark ... is that pre-stroke Mark was a major micromanager. I just don't have the time or inclination to micromanage as much as I used to.
My dad had a soccer school that he used to run, the Mark Chamberlain Soccer Academy, I used to go to that for two years until the age of seven.
Mark Ruffalo is Mark Ruffalo - no explanation needed. He has the biggest heart of anyone I've ever met, and he's sort of the Dave Schultz of the entertainment industry.
I had been interested in Indian music and I actually started studying Tableaus before I met him.
To be secure everywhere is the mark of sophistication, to be unshakable is the mark of courage, to be permanently in love with every person is the mark of masculinity or femininity, to forgive is the mark of strength, to govern our senses and passions is the mark of freedom.
I was more into music, before I got into college. In high school, I used to play guitar and sing. I did a lot of that. But, when I graduated and went to college, I remember my freshman year and this girl from across the hall, who is one of my good friends to this day, had a brother who was in the school improv team. We went to go watch a show and it blew my face off.
Mark Ronson was a dear friend through family and through growing up in New York, being in that scene, and Mark came to a show and really liked it and asked us to join his record label Allido records, or 'all I do' records, and that was sort of a development deal.
Charles was very intent to use his years as Prince of Wales to make his mark while he still had freedom of maneuver that he wouldn't have as King. The first subject he really went for was architecture. It made an impact.
As far as Rap goes Tupac was my favorite, I used to sing some of his songs in my set before I ever met his dad.
While I used to make my living principally as a record producer, as time went on, I had to depend more and more on my live performances because of the evolution of the record industry, which has de-emphasized what made it possible to make a living.
Me and my mate used to go across the park, jump on the Met line to get the Tube into Harrow. There was a sports shop we always used to go into, and there was a McDonald's. We used to go off with three or four quid in our pocket. That would cover our train fare, mooching around Harrow, and going to McDonald's.
My dad had records, but only one deck, so Skep used to try and play a song on one deck - the Music Centre we used to call it, a cabinet with a glass door - he would play one tune on the record and then mix the tape to it, that's what he used to like doing. He became a DJ.
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