A Quote by Ruben Blades

But, when I was about thirteen, I began to sort of sing in my neighborhood. — © Ruben Blades
But, when I was about thirteen, I began to sort of sing in my neighborhood.
If you have an all-white neighborhood you don't call it a segregated neighborhood. But you call an all-black neighborhood a segregated neighborhood. And why? Because the segregated neighborhood is the one that's controlled by the ou - from the outside by others, but a separate neighborhood is a neighborhood that is independent, it's equal, it can do - it can stand on its own two feet, such as the neighborhood. It's an independent, free neighborhood, free community.
I do believe that my whole success goes back to that time I was arrested as a wayward boy at the age of thirteen. Because then I had to quit running around and began to learn something. Most of all, I began to learn music.
I suppose I was waiting until I was old enough to have some sort of experience to sing about. When you're young, it's hard to sing the blues. Nobody believes you.
When you sing R&B songs in front of an audience, you look out and there's 85% women. I think R&B music is sort of designed for a man singing to a woman. I don't sing it like the sexy thing, but sort of pseudo-sexy. We rally the women together because it's about being independent and things like that.
I don't miss much about my childhood. I lived in a good neighborhood, a wacky neighborhood. It was a very boy-heavy neighborhood - kind of Lord of the Flies-y. So many weird things happened, funny things.
I longed for funny stories about the sort of children who lived in my neighborhood.
I had, by thirteen, developed a sort of Taoist hubris about my ability to control via non-control.
Well, it so happens that I have had a spinal curvature since I was about thirteen and every once in a while that has given me some trouble, and at that time it began to kick up again. and occasionally I have to get into bed and nurse a severe backache.
At thirteen I began modeling, doing my first television commercial in ninth grade for Pizza Hut.
The things we sing about are timeless. Political affairs and social situations come and go. But if you're singing about empowerment and not playing by the rules, you can sing about them until you can't sing anymore.
I loved it, but had to forget about acting after elementary school because it was the sort of thing you just didn't do in my rough neighborhood.
Neighborhoods built up all at once change little physically over the years as a rule...[Residents] regret that the neighborhood has changed. Yet the fact is, physically it has changed remarkably little. People's feelings about it, rather, have changed. The neighborhood shows a strange inability to update itself, enliven itself, repair itself, or to be sought after, out of choice, by a new generation. It is dead. Actually it was dead from birth, but nobody noticed this much until the corpse began to smell.
There are videos where I would go approaching strangers and sing the songs from 'The Lion King. I would have been about four years, and I came running up to people on the beach, strangers that I chose at random and began to sing, and my family never knew where I was, they were always looking for me, trying to imagine who I was harassing this time .
Since the date, 1776, is placed on the bottom course of the pyramid [on the Great Seal], and since the number 13 has been so important in the history of the United States and in the symbols of the seal, it is not unreasonable to suppose that the thirteen courses of the pyramid may represent thirteen time-periods of thirteen years each.
In thirteen years, every aspect of the universe can change - ask a thirteen-year-old.
I began drinking alcohol at the age of thirteen and gave it up in my fifty sixth year; it was like going straight from puberty to a mid-life crisis.
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