A Quote by Rumaan Alam

Some writers are prolific; some are shape-shifters. It's rare and intimidating to encounter one who is both. — © Rumaan Alam
Some writers are prolific; some are shape-shifters. It's rare and intimidating to encounter one who is both.
There are some great writers who are great talkers, but there are more great writers who are not great talkers. People seem to think there is some connection between talking and writing, but I love to talk and if there were some connection between the two of them I would be the most prolific writer in the history of the world.
The beautiful in life... Some talk of it in poetry, Some grow it from the soil, Some build it in a steeple, Some show it through their toil. Some breathe it into music, Some mold it into art, Some shape it into bread loaves... Some hold it in their hearts.
If some confectioners were willing To let the shape announce the filling, We'd encounter fewer assorted chocs, Bitten into and returned to the box.
Each one is different. Each project is different. Some are silly, some are not. Some are more realistic, some are not. Some are overly dramatic, some are not. You've just got to try and find the thing that's most engaging and entertaining in whatever way, shape or form, and it's different every time.
The Irish believed that gods, druids, poets, and others in touch with the magical world could be literal shape-shifters
Some venues are more intimidating than others, but as professional players you enjoy the intimidating places more than the other kind.
Who would deduce the dragonfly from the larva, the iris from the bud, the lawyer from the infant? ...We are all shape-shifters and magical reinventors. Life is really a plural noun, a caravan of selves.
So we both strip off our boots and socks and, while there’s some improvement, I could swear he’s making an effort to snap every branch we encounter
Every day at some point I encounter some sort of anti-American feeling.
I thought that, post-apartheid, there would be absolutely no interest in South Africa. That has been both true and untrue. The major writers like Gordimer and Coetzee have produced major books. But some of the more minor writers have drifted away.
At some point, I realized I was Kaitlyning the encounter, so I decided to text Kaitlyn and ask for some advice.
Some read to think, these are rare; some to write, these are common; and some read to talk, and these form the great majority.
I've heard a lot of great success stories from writers - how so many of them struggled to get where they are and how persistence pays off. I learned that some writers are good at doing readings and some are not so good at it.
I don't think there is a need of the categorization 'woman writing'. I think in some sense writers lost their gender when they walk into the world of words; I believe that writers ought to be able to slip under the skins of both men and women. Only then will the writing and the characters have credibility and strength.
At best, the relationship between drama critic and playwright is a pretty twiggy affair. When I'm asked whom I write for, after the obligatory, I write only for myself, I realize that I have an imaginary circle of peers - writers and respected or savvy theatre folk, some dramatic writers and some not, some living, some long gone. . . . Often a writer is aware as he works that a certain critic is going to hate this one. . . . You don't let what a critic might say worry you or alter your work; it might even add a spark to the gleeful process of creation.
As much as I love my work, I do appreciate my rare days off. Even then, I can't afford to let the dancing go. I need at least an hour just to keep in shape, so wherever I am in the world, I'll grab the door or the furniture and do some serious exercise.
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