A Quote by Roopa Ganguly

Ours was a family of engineers with no political affiliation; art and culture were the only things that we discussed at home. — © Roopa Ganguly
Ours was a family of engineers with no political affiliation; art and culture were the only things that we discussed at home.
I grew up in a family in which political issues were often discussed, and debated intensely.
We were the only black family in my neighborhood for many years. Wherever we lived, we were often the only black family, and certainly the only Haitian family. But my parents were really great at providing a loving home where we could feel safe and secure.
I feel like I have an affiliation with the '90s. I feel like a lot of things going on in fashion and pop culture were loud and outlandish.
Men towering high above such political pygmies, men of refinement, of culture, of ability, are jeered into silence as mollycoddles. It is absurd to claim that ours is the era of individualism. Ours is merely a more poignant repetition of the phenomenon of all history: every effort for progress, for enlightenment, for science, for religious, political, and economic liberty, emanates from the minority, and not from the mass. Today, as ever, the few are misunderstood, hounded, imprisoned, tortured, and killed.
My art history papers were really politics. They were about the manifestation of culture through the eye of political events. So there was always that refusal to settle in one place, or one discipline or medium.
Civil engineers build bridges. Electrical engineers, power grids. Software engineers, apps. From the engineers who created the Great Pyramids to the engineers who are designing and developing tomorrow's autonomous vehicles, these visionaries and their tangible creations are inextricably linked.
How is it possible that in just the last ten years all of these things which were taboo throughout our culture, throughout the culture, things that were taboo are now not only normal but celebrated, and people who were not really supportive of them are called kooks and the new weirdos?
Every artist can make art only from the materials at hand, and many of the child stars who try to mature into artists can make art only from their knowledge - and ours - that they were child stars.
My family didn't really have newspapers at home or talk about politics - my family are not political. They were too busy getting on with it - working, looking after kids, trying to pay off the mortgage, all that stuff.
Grief is a curious thing, when it happens unexpectedly. It is a Band-Aid being ripped away, taking the top layer off a family. And the underbelly of a household is never pretty, ours no exception. There were times I stayed in my room for days on end with headphones on, if only so that I would not have to listen to my mother cry. There were the weeks that my father worked round-the-clock shifts, so that he wouldn't have to come home to a house that felt too big for us.
Sex and drugs were simply not discussed in our culture at that time.
I love being able to be political without any political affiliation.
My dad used to sit me on his knee and read from the Bible to us. We were a praying family. Ours was a family of love and a family of prayer.
As a composer, I believe that music has the power to inspire a renewal of human consciousness, culture, and politics. And yet I refuse to make political art. More often than not political art fails as politics, and all too often it fails as art. To reach its fullest power, to be most moving and most fully useful to us, art must be itself.
If minutes were kept of a family gathering, they would show that "Members not Present" and "Subjects Discussed" were one and the same.
Food, for me, is society, and food is very political. Food is part of culture, and culture relies on art and creativity. If there is no art, there is no food, and there is no city.
This site uses cookies to ensure you get the best experience. More info...
Got it!