A Quote by Ruth Jones
There were times when the first thing we'd talk about in the morning was 'Stella,' and the last thing we'd talk about at night was 'Stella.'
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I think the most note-worthy part is that Stella [Mozgawa] had joined the band two weeks before we started recording, so that really influenced the way that the album was recorded. It was really important for Stella and Jen[ny Lee Lindberg] to lay down the drums and bass first for most songs, because they were determining how they needed to lock in together, and Stella was still kind of learning and figuring out her parts.
It's very much like opera singers. They do the same thing. The first thing in the morning and the last thing at night, the thing they think about is their voice and how to take care of it.
I used to put that I studied with Stella Adler on my resume. I never met Stella Adler. But if you told a casting director you studied with Stella Adler all the sudden they'd let you in the door.
President Carter famously said the hostages were the first thing he thought about in the morning and the last thing he thought about at night. It was a downright foolish thing to say, because it made the people holding the hostages realize that they had an awful lot of influence over the United States.
If you want to be an entrepreneur, it's not a job, it's a lifestyle. It defines you. Forget about vacations, about going home at 6 pm - last thing at night you'll send emails, first thing in the morning you'll read emails, and you'll wake up in the middle of the night. But it's hugely rewarding as you're fulfilling something for yourself.
It's not necessarily a brave thing, people talk about what they think about. There's people out there who love to talk about politics or where they think the countries headed. I don't talk about that I talk about...things that are a little trippier.
When you talk about bad luck and you talk about the things that create those circumstances and you talk about what it takes to overcome those circumstances and naturally to me includes, you know, a faith, a very strong faith. It should because through good times and through bad times there is one thing that relieves.
We didn't talk about devil on the set. My mother and I didn't talk about it. Billy Friedkin and I didn't talk about it. It was a closet subject. But it was the best thing that happened because I had no idea what I was going.
Once you become an immigrant, the first thing that is taken from you is the opportunity to talk about politics and to talk about yourself as a political being.
If you just had an inspiration at night or with a girl or whatever and you want to talk about it, you don't necessarily want to share it with everybody . . . That's the first thing that made me want to go solo; I wanted to talk about my own things, I wanted to try to be creative [in] my own way.
I have a general feeling that writers and artists who are in this peculiar situation, of being a persecuted artist, all anyone ever asks about is the persecution. It may well be that's the last thing in the world they want to talk about. There were many years in which every journalist in the world wanted to talk to me, but nobody wanted to talk to me about my work. That felt deeply frustrating because I felt there was an attempt to stifle me as an artist. The best revenge I could have was to write.
On the contrary, it's because somebody knows something about it that we can't talk about physics . It's the things that nobody knows anything about that we can discuss. We can talk about the weather; we can talk about social problems; we can talk about psychology; we can talk about international finance gold transfers we can't talk about, because those are understood so it's the subject that nobody knows anything about that we can all talk about!
If you talk to a lot of people in government, they will talk about the pathway to getting something done rather than the thing itself. And I just talk about material outcomes.
I think any information about any type of art form, it's always the right time. But since the last one, I could see there were many things about the culture of DJing that we don't really talk about. We don't really look at how the music is made, how it's conceptualized, how it's put together. We talk about the equipment and the software, but we don't talk about the reasons why we put the music together in the first place.
Nobody knows what self-radicalized means, and that's one of the weird things about the way that we talk about terrorism. We talk about radicalization as though it were a thing, as though you could sort of track it and identify it, and that's not the case.
Acting has never been a thing that me and my dad have talked about. It's like footballers: when they get together, I bet the last thing they talk about is football.
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