A Quote by Ruth Negga
People have these ideas about comic books and their adaptations as flashy and sort of surface-y, broad-strokes-type projects, but they're not, really.
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Comic books sort of follow with the move - if people see the movie and if they're interested in the character and want to see more of the character, they start buying the comic books. So a good movie helps the sale of the comic books and the comic books help the movie and one hand washes the other. So, I don't think there's any reason to think that comics will die out.
My process for determining which eras I'd write about was to just read history books that gave a really broad overview of Chinese history. And when I came across a historical figure or a historical incident that was especially interesting to me, ideas for characters and stories would surface.
I'm not ashamed of comic books. You have some people that are like, 'We're trying to elevate comic books.' Comic books have always told great dramatic stories.
I grew up reading comic books. Super hero comic books, Archie comic books, horror comic books, you name it.
It's about, I did talk about my life in broad strokes and what home meant to me in order to really explore the subject of home and can you go back and what that means for people in that sense of community that we've lost.
Ultimately, there's always been a link between comic books and video games, and comic books and movies, and then basically all three steadily becoming this sort of transmedia.
People know the broad strokes of what it's like to be Spider-Man, but I wanted to really get into the details.
The curse of comic book adaptations, when I was younger, was that the director or producer would go, "Don't worry about it, it's just a comic book."
I'm always sort of looking for projects that I can sort of put out into the world, into the public sphere, and to somehow cause an effect. I want to be able to create projects that sort of are going to make people think and think in this sort of magical, sort of fantastical way.
I grew up with comic books, and I'm from the Caribbean, so comic books were really a great interrogator of American culture for me.
When you start to talk about comic books, a lot of the time, people forget about the comic part of it. They need to be funny.
Abraham Lincoln did have intellectual instincts, a tremendous curiosity on a broad range of subjects, and a near-photographic memory for what he read. He was, at the end of the day, a politician: politics were his heaven, said William Herndon. But Lincoln did take comfort in ideas and books, more so than almost any other president, and he went to books and ideas in moments of perplexity to sort things out. Philosopher, no, but thoughtful and "surprisingly well-read" for his day.
Most of the films I myself like don't do very well. Every director, he has a choice, whether to go for subtlety and try to articulate every minute detail, or to go for the broad strokes and hope that the people will fill in between the lines. I tend to go for the broader strokes.
Wide horizons lead the soul to broad ideas; circumscribed horizons engender narrow ideas; this sometimes condemns great hearts to become small minded.Broad ideas hated by narrow ideas,-this is the very struggle of progress.
I have a whole section of a filing cabinet in my office full of ideas. Some are ideas for books or articles I want to write. One is a romantic comedy; one's about my dad's life. I've also got ideas for books on moral relativism as well as democracy and human nature. There's also a really cool concept for a spy novel.
I came to think that nobody from England could draw American comic books, because they were clearly all done by this sort of Mafia, all these guys with Italian and Irish names who had the whole thing sewn up. It was actually seeing a comic book drawn by Barry Smith, who was about my age, and English.
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