A Quote by Ruth Ozeki

language is magical - it's a form of conjuring. If you do it convincingly, readers will follow you. — © Ruth Ozeki
language is magical - it's a form of conjuring. If you do it convincingly, readers will follow you.
One of the questions writers bump up against in their work, whether they know it or not, is about lying. Because fiction is a form of deceit, and one's abilities are measured by how convincingly one can persuade readers that these events really happened.
I love music. I think it's a higher art form, in a way, than movies. You know, a film you see once, maybe twice. A song will follow you forever. It's a magical thing.
A translation needs to read convincingly. There's no limit to what can go into it in terms of background research, feeling, or your own interests in form and history. But what should come out is something that reads as convincing English-language text.
There's something about the idea of writing, and thinking about writing as a form of prayer - the way as a writer you call out into the world and throw your words into the world. You're not praying to a god, but you're almost conjuring a reader to arrive. That's what books do: they're an invitation to readers.
There is nothing like Integral Dreaming in the literature. This is an ambitious undertaking and its readers will gain an in-depth understanding of dreams and dreaming that they will find nowhere else. The ‘five movements’ of Integral Dream Practice will encourage many readers to follow the steps outlined, and integrate dreamwork into their own lives. This book will be an instant classic in the field.
You are not entering this world in the usual manner, for you are setting forth to be a Dungeon Master. Certainly there are stout fighters, mighty magic-users, wily thieves, and courageous clerics who will make their mark in the magical lands of D&D adventure. You however, are above even the greatest of these, for as DM you are to become the Shaper of the Cosmos. It is you who will give form and content to the all the universe. You will breathe life into the stillness, giving meaning and purpose to all the actions which are to follow.
If prose can cast a spell, we will listen to it no matter what it's saying. If a narrative uses language in a magical and enlivening way, we will listen to the story. But if the language doesn't cast a spell, we will listen to it only if it is telling us something that actually happened.
If the characters are compelling, readers will follow anywhere.
This is a magical and inspiring metaphor through which adult readers will identify anger issues and discover practical methods to energize enduring change.
Be yourself and your readers will follow you anywhere. Try to commit an act of writing and they will jump overboard to get away.
Learn a language of another country and then you can go to that country: a place where the problems of your family will not follow. A language they do not speak.
Magic and art tend to share a lot of the same language. They both talk about evocation, invocation, and conjuring.
If you write genre fiction, you follow the rules, and you have to follow them because readers expect that.
For me, the facts in anything are always secondary. You don't lie convincingly with the truth. You lie convincingly with being a good liar.
I have a magical work in a magical way. I give magical service for magical pay.
I am not clear that God manoeuvres physical things? After all, a conjuring trick with bones only proves that it is as clever as a conjuring trick with bones
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